Reviews
"The Gilda Stories has been vitally important for the development of a generation of dreamers engaged in radical imagination. It has filled the desires of oppressed and marginalized peoples for stories of the fantastic that wear our faces. It helps so many to understand how to take these mythologies that speak to us, pull them into our flesh, and breathe out visionary communities of resistance."--Walidah Imarisha, co-editor of Octavia's Brood "Gilda's body knows silk, telepathy, lavender, longing, timeless love, and so much blood. With sensory, action-packed prose and a poet's eye for beauty, Jewelle Gomez gives us an empathy transfusion. This all-American novel of the undead is a life-affirming read."--Lenelle Mose, author of Haiti Glass "Jewelle Gomez's sense of culture and her grasp of history are as penetrating now as twenty-five years ago, and perhaps more so, given the current challenges to black lives. From 'Louisiana 1850' to 'Land of Enchantment 2050,' from New Orleans to Macchu Pichu, through endless tides of blood and timeless evocations of place, Gilda's ensemble of players transports me through two hundred years and a second century of black feminist literary practice and prophecy."--Cheryl Clarke, author of Living As A Lesbian "The Gilda Stories does what vampire stories do best: hold up a larger-than-life mirror in which we can see our hopes, fears, dreams, and flaws. Gilda provides us with a perspective that is too often lost in American history, and a multicultural vision of a better future for us all, human and vampire alike."--Pam Keesey, author of Daughters of Darkness "With hypnotic prose, Jewelle Gomez shows the immense power of fantasy and the untold stories of American history."--Cecilia Tan, author of Black Feathers "After a runaway slave girl in 1850s Louisiana kills a bounty hunter in self defense, she takes shelter with two women who run a brothel. These women happen to be vampires, and induct the girl, Gilda, into an eternal life of one who 'shares the blood.' The Gilda Stories by Jewelle Gomez follows the next 200 years of Gilda's life, from California in 1890, Missouri in 1921, Massachusetts in 1955, New York in 1981, New Hampshire in 2020, all the way up to 2050. Gilda's many lives are defined by the quest to understand her sexual and racial identities, and to find a place for her as the ultimate outsider in a constantly changing world. The Gilda Stories, first published by Firebrand Books in 1991 and winner of two Lambda Literary Awards in 1992, preceded Buffy, Twilight and Octavia Butler's Fledgling, but it is far more than a 'sexy vampire' book. Jewelle Gomez's novel channels her longtime LGBT and feminist activism into a thematic depth rarely achieved in the genre's modern iterations. Gomez is a founding member of GLAAD, a poet, playwright and the author of several essay and short story collections. This month City Lights Publishers is releasing a 25th-anniversary edition of The Gilda Stories with an afterword by black feminist scholar Alexis Pauline Gumbs."--Tobias Mutter, Shelf Awareness "The Gilda Stories are both classic and timely. Gilda shows us the importance of what is within black feminism and her stories are filled with the urgency of problems that desperately need to be resolved even today. When the book was originally published it was way ahead of its time and now we really see why this is such an important novel. The characters are rooted in history and they make trouble for the traditional models of family, identity, and literary genre. This is so much more than a horror story."--"Reviews by Amos Lassen", " The Gilda Stories has been vitally important for the development of a generation of dreamers engaged in radical imagination. It has filled the desires of oppressed and marginalized peoples for stories of the fantastic that wear our faces. It helps so many to understand how to take these mythologies that speak to us, pull them into our flesh, and breathe out visionary communities of resistance."--Walidah Imarisha, co-editor of Octavia's Brood "Gilda's body knows silk, telepathy, lavender, longing, timeless love, and so much blood. With sensory, action-packed prose and a poet's eye for beauty, Jewelle Gomez gives us an empathy transfusion. This all-American novel of the undead is a life-affirming read."--Lenelle Moïse, author of Haiti Glass "Jewelle Gomez's sense of culture and her grasp of history are as penetrating now as twenty-five years ago, and perhaps more so, given the current challenges to black lives. From 'Louisiana 1850' to 'Land of Enchantment 2050,' from New Orleans to Macchu Pichu, through endless tides of blood and timeless evocations of place, Gilda's ensemble of players transports me through two hundred years and a second century of black feminist literary practice and prophecy."--Cheryl Clarke, author of Living As A Lesbian " The Gilda Stories does what vampire stories do best: hold up a larger-than-life mirror in which we can see our hopes, fears, dreams, and flaws. Gilda provides us with a perspective that is too often lost in American history, and a multicultural vision of a better future for us all, human and vampire alike."--Pam Keesey, author of Daughters of Darkness "With hypnotic prose, Jewelle Gomez shows the immense power of fantasy and the untold stories of American history."--Cecilia Tan, author of Black Feathers, " The Gilda Stories has been vitally important for the development of a generation of dreamers engaged in radical imagination. It has filled the desires of oppressed and marginalized peoples for stories of the fantastic that wear our faces. It helps so many to understand how to take these mythologies that speak to us, pull them into our flesh, and breathe out visionary communities of resistance."--Walidah Imarisha, co-editor of Octavia's Brood "Gilda's body knows silk, telepathy, lavender, longing, timeless love, and so much blood. With sensory, action-packed prose and a poet's eye for beauty, Jewelle Gomez gives us an empathy transfusion. This all-American novel of the undead is a life-affirming read."--Lenelle Moïse, author of Haiti Glass "Jewelle Gomez's sense of culture and her grasp of history are as penetrating now as twenty-five years ago, and perhaps more so, given the current challenges to black lives. From 'Louisiana 1850' to 'Land of Enchantment 2050,' from New Orleans to Macchu Pichu, through endless tides of blood and timeless evocations of place, Gilda's ensemble of players transports me through two hundred years and a second century of black feminist literary practice and prophecy."--Cheryl Clarke, author of Living As A Lesbian " The Gilda Stories does what vampire stories do best: hold up a larger-than-life mirror in which we can see our hopes, fears, dreams, and flaws. Gilda provides us with a perspective that is too often lost in American history, and a multicultural vision of a better future for us all, human and vampire alike."--Pam Keesey, author of Daughters of Darkness "With hypnotic prose, Jewelle Gomez shows the immense power of fantasy and the untold stories of American history."--Cecilia Tan, author of Black Feathers "After a runaway slave girl in 1850s Louisiana kills a bounty hunter in self defense, she takes shelter with two women who run a brothel. These women happen to be vampires, and induct the girl, Gilda, into an eternal life of one who 'shares the blood.' The Gilda Stories by Jewelle Gomez follows the next 200 years of Gilda's life, from California in 1890, Missouri in 1921, Massachusetts in 1955, New York in 1981, New Hampshire in 2020, all the way up to 2050. Gilda's many lives are defined by the quest to understand her sexual and racial identities, and to find a place for her as the ultimate outsider in a constantly changing world. The Gilda Stories , first published by Firebrand Books in 1991 and winner of two Lambda Literary Awards in 1992, preceded Buffy, Twilight and Octavia Butler's Fledgling , but it is far more than a 'sexy vampire' book. Jewelle Gomez's novel channels her longtime LGBT and feminist activism into a thematic depth rarely achieved in the genre's modern iterations. Gomez is a founding member of GLAAD, a poet, playwright and the author of several essay and short story collections. This month City Lights Publishers is releasing a 25th-anniversary edition of The Gilda Stories with an afterword by black feminist scholar Alexis Pauline Gumbs."--Tobias Mutter, Shelf Awareness " The Gilda Stories are both classic and timely. Gilda shows us the importance of what is within black feminism and her stories are filled with the urgency of problems that desperately need to be resolved even today. When the book was originally published it was way ahead of its time and now we really see why this is such an important novel. The characters are rooted in history and they make trouble for the traditional models of family, identity, and literary genre. This is so much more than a horror story."--"Reviews by Amos Lassen", " The Gilda Stories has been vitally important for the development of a generation of dreamers engaged in radical imagination. It has filled the desires of oppressed and marginalized peoples for stories of the fantastic that wear our faces. It helps so many to understand how to take these mythologies that speak to us, pull them into our flesh, and breathe out visionary communities of resistance."--Walidah Imarisha, co-editor of Octavia's Brood "Gilda's body knows silk, telepathy, lavender, longing, timeless love, and so much blood. With sensory, action-packed prose and a poet's eye for beauty, Jewelle Gomez gives us an empathy transfusion. This all-American novel of the undead is a life-affirming read."--Lenelle Moïse, author of Haiti Glass "Jewelle Gomez's sense of culture and her grasp of history are as penetrating now as twenty-five years ago, and perhaps more so, given the current challenges to black lives. From 'Louisiana 1850' to 'Land of Enchantment 2050,' from New Orleans to Macchu Pichu, through endless tides of blood and timeless evocations of place, Gilda's ensemble of players transports me through two hundred years and a second century of black feminist literary practice and prophecy."--Cheryl Clarke, author of Living As A Lesbian " The Gilda Stories does what vampire stories do best: hold up a larger-than-life mirror in which we can see our hopes, fears, dreams, and flaws. Gilda provides us with a perspective that is too often lost in American history, and a multicultural vision of a better future for us all, human and vampire alike."--Pam Keesey, author of Daughters of Darkness "With hypnotic prose, Jewelle Gomez shows the immense power of fantasy and the untold stories of American history."--Cecilia Tan, author of Black Feathers "After a runaway slave girl in 1850s Louisiana kills a bounty hunter in self defense, she takes shelter with two women who run a brothel. These women happen to be vampires, and induct the girl, Gilda, into an eternal life of one who 'shares the blood.' The Gilda Stories by Jewelle Gomez follows the next 200 years of Gilda's life, from California in 1890, Missouri in 1921, Massachusetts in 1955, New York in 1981, New Hampshire in 2020, all the way up to 2050. Gilda's many lives are defined by the quest to understand her sexual and racial identities, and to find a place for her as the ultimate outsider in a constantly changing world. The Gilda Stories , first published by Firebrand Books in 1991 and winner of two Lambda Literary Awards in 1992, preceded Buffy, Twilight and Octavia Butler's Fledgling , but it is far more than a 'sexy vampire' book. Jewelle Gomez's novel channels her longtime LGBT and feminist activism into a thematic depth rarely achieved in the genre's modern iterations. Gomez is a founding member of GLAAD, a poet, playwright and the author of several essay and short story collections. This month City Lights Publishers is releasing a 25th-anniversary edition of The Gilda Stories with an afterword by black feminist scholar Alexis Pauline Gumbs."--Tobias Mutter, Shelf Awareness, " The Gilda Stories has been vitally important for the development of a generation of dreamers engaged in radical imagination. It has filled the desires of oppressed and marginalized peoples for stories of the fantastic that wear our faces. It helps so many to understand how to take these mythologies that speak to us, pull them into our flesh, and breathe out visionary communities of resistance."--Walidah Imarisha, co-editor of Octavia's Brood "Gilda's body knows silk, telepathy, lavender, longing, timeless love, and so much blood. With sensory, action-packed prose and a poet's eye for beauty, Jewelle Gomez gives us an empathy transfusion. This all-American novel of the undead is a life-affirming read."--Lenelle Mose, author of Haiti Glass "Jewelle Gomez's sense of culture and her grasp of history are as penetrating now as twenty-five years ago, and perhaps more so, given the current challenges to black lives. From 'Louisiana 1850' to 'Land of Enchantment 2050,' from New Orleans to Macchu Pichu, through endless tides of blood and timeless evocations of place, Gilda's ensemble of players transports me through two hundred years and a second century of black feminist literary practice and prophecy."--Cheryl Clarke, author of Living As A Lesbian " The Gilda Stories does what vampire stories do best: hold up a larger-than-life mirror in which we can see our hopes, fears, dreams, and flaws. Gilda provides us with a perspective that is too often lost in American history, and a multicultural vision of a better future for us all, human and vampire alike."--Pam Keesey, author of Daughters of Darkness "With hypnotic prose, Jewelle Gomez shows the immense power of fantasy and the untold stories of American history."--Cecilia Tan, author of Black Feathers "After a runaway slave girl in 1850s Louisiana kills a bounty hunter in self defense, she takes shelter with two women who run a brothel. These women happen to be vampires, and induct the girl, Gilda, into an eternal life of one who 'shares the blood.' The Gilda Stories by Jewelle Gomez follows the next 200 years of Gilda's life, from California in 1890, Missouri in 1921, Massachusetts in 1955, New York in 1981, New Hampshire in 2020, all the way up to 2050. Gilda's many lives are defined by the quest to understand her sexual and racial identities, and to find a place for her as the ultimate outsider in a constantly changing world. The Gilda Stories , first published by Firebrand Books in 1991 and winner of two Lambda Literary Awards in 1992, preceded Buffy, Twilight and Octavia Butler's Fledgling , but it is far more than a 'sexy vampire' book. Jewelle Gomez's novel channels her longtime LGBT and feminist activism into a thematic depth rarely achieved in the genre's modern iterations. Gomez is a founding member of GLAAD, a poet, playwright and the author of several essay and short story collections. This month City Lights Publishers is releasing a 25th-anniversary edition of The Gilda Stories with an afterword by black feminist scholar Alexis Pauline Gumbs."--Tobias Mutter, Shelf Awareness " The Gilda Stories are both classic and timely. Gilda shows us the importance of what is within black feminism and her stories are filled with the urgency of problems that desperately need to be resolved even today. When the book was originally published it was way ahead of its time and now we really see why this is such an important novel. The characters are rooted in history and they make trouble for the traditional models of family, identity, and literary genre. This is so much more than a horror story."--"Reviews by Amos Lassen"
