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ADOBE CAMERA RAW FOR DIGITAL PHOTOGRAPHERS ONLY By Rob Sheppard *Mint Condition* - Picture 1 of 1

Adobe Camera Raw for Digital Photographers Only by Rob Sheppard (2008, Perfect)

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ADOBE CAMERA RAW FOR DIGITAL PHOTOGRAPHERS ONLY By Rob Sheppard **Mint Condition**.

About this product

Product Identifiers

PublisherWiley & Sons, Incorporated, John

ISBN-100470224576

ISBN-139780470224571

eBay Product ID (ePID)63058645

Product Key Features

Edition2

Book TitleAdobe Camera Raw for Digital Photographers only

Number of Pages362 Pages

LanguageEnglish

TopicImage Processing, Techniques / Digital (See Also Computers / Digital Media / Photography), Digital Media / Photography (See Also Photography / Techniques / Digital), General

Publication Year2008

IllustratorYes

GenreComputers, Photography

AuthorRob Sheppard

Book SeriesFor only Ser.

FormatPerfect

Dimensions

Item Height0.8 in

Item Weight31.4 Oz

Item Length9.2 in

Item Width7.5 in

Additional Product Features

Intended AudienceTrade

LCCN2007-942429

Dewey Edition22

Series Volume Number2

Dewey Decimal775

Table Of ContentAbout the author.Credits.Foreword.Acknowledgments.Introduction.Part I Capture Workflow.Chapter 1 What are RAW Files Really About?A RAW start .Why use RAW?Understanding RAW.RAW capabilities.Do not shortchange RAW.What is 16-bit all about?Proprietary formats.The value of dng.Does jpeg have a place?Chapter 2 Shoot RAW Right from the Start.The digital darkroom.Understanding the sensor.Dealing with limitations.Exposure - more than getting brightness correct.Reading the histogram without being an engineer.Interpreting the histogram.Looking at histograms: examples of good and bad exposures.Perfect exposure with ideal histogram.Nice range of tones from left to right.Histogram has visual relationship to scene.Light tones kept in range.Black-and-white challenge.Restricted tonal range still needs good exposure.Poor exposure causes color problems.Bad light causes exposure problems.Poor exposure causes background problems.Exposure for shadows washes out highlights.Filters are still necessary.Noise raises its ugly head.Variations among cameras.Chapter 3 Color and RAW.Good RAW is good color.Adobe rgb versus srgb.Color space for the purpose needed.White balance: a RAWworkflow issue.White balance in the camera.Auto white balance.Preset white balance.Custom white balance.Q&A.Chapter 4 What's New in Adobe Camera RAW?Making RAW processing more photographic.Some changes to the interface.First tab changes - tonal adjustments.First tab changes - color adjustments.Tone curve changes.Changes to the detail tab.The new hsl and grayscale tab.The new split toning tab.Presets.How lightroom affects camera RAW.Part II Camera RAW Workflow.Chapter 5 A Quick Look at Camera RAW Tools and Workflow.Finding your RAW photos.Bridge capabilities.Opening camera RAW.The importance of reset and undo.Camera RAW in six-part harmony.Camera RAW toolbar.Preview options.The ideal workflow.Base settings.How to approach camera RAW.Monitor calibration.Chapter 6 Workflow Applied.What is your photo about?Auto settings .Workflow options.Tonal adjustments.Color adjustments.Detail adjustments - sharpening.Detail adjustments - noise reduction.Save your work.Setting up camera RAW for your camera.Chapter 7 Advanced Tonal Control.Evaluate the image.First adjustments - blacks and highlights.Tone curve adjustments.Back to basic and clarity.Back to color.Refining color.Sharpening with the detail tab.Evaluate, and then open or save.Chapter 8 White Balance Decisions.A neutral subject is rarely neutral.Wave tonalities interpreted and more.Cloud, water, and rocks color.Dusk light.Dusk interpreted.Dusk color revealed.Aquarium greenery.Evalua

SynopsisCamera Raw gives you power to make your images fit your vision Rob Sheppard is, first and foremost, a photographer. He believes technology can support the creative process, but should never supplant it., Camera Raw gives you power to make your images fit your vision Rob Sheppard is, first and foremost, a photographer. He believes technology can support the creative process, but should never supplant it. So when he explains the details of Camera Raw, the steps for using it, the workflow process, and certain best practices, he demonstrates how Camera Raw can empower you. That said, he encourages you not to be limited by his perspective. Use Camera Raw as you see fit because your work is your art. Explore the enhancements in the newest generation of Camera Raw Deal with RAWs limitations Manage white balance and exposure Learn to use camera settings that make the most of RAW capabilities Understand and apply the Camera Raw workflow Reduce noise, especially in night shots Discover the creative possibilities of black-and-white with Camera Raw Take full advantage of Camera Raws special features, Expert photographer Rob Sheppard explains the details of Camera Raw, the steps for using it, the workflow process, and certain best practices that demonstrates how Camera Raw can empower the digital photographer. Encouraging you to use it as you see fit, he explores the enhancements in the newest generation and helps you deal with RAW's limitations, manage white balance and exposure, reduce noise (especially in night shots,) and learn to use camera settings that make the most of RAW capabilities.

LC Classification NumberTR267