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The Dialectics of Seeing: Walter Benjamin and the Arcades Project by Buck-Morss - Picture 1 of 1
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The Dialectics of Seeing: Walter Benjamin and the Arcades Project by Buck-Morss

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eBay item number:285014775140
Last updated on 09 Jun, 2025 21:49:38 BSTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read, but is in good condition. Minimal damage to the book cover eg. ...
Publication Date
1991-07-01
Pages
512
ISBN
9780262521642

About this product

Product Identifiers

Publisher
MIT Press
ISBN-10
0262521644
ISBN-13
9780262521642
eBay Product ID (ePID)
115132

Product Key Features

Book Title
Dialectics of Seeing : Walter Benjamin and the Arcades Project
Number of Pages
512 Pages
Language
English
Topic
General, Semiotics & Theory
Publication Year
1991
Illustrator
Yes
Genre
Literary Criticism, Philosophy
Author
Susan Buck-Morss
Book Series
Studies in Contemporary German Social Thought Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
24.6 Oz
Item Length
9 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Trade
Reviews
Buck-Morss has written a wonderful book. Although rigorously analytic, the book doesn't sacrifice those qualities in Benjamin's writing that are not reducible to method. His lyrical, hallucinatory evocation of the city as a place of dreams, myths, expectations.-- Herbert Muschamp , Artforum -- Wonderfully imaginative...Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion. -- Eugen Weber , The New Republic --, Buck-Morss has written a wonderful book. Although rigorously analytic, the book doesn't sacrifice those qualities in Benjamin's writing that are not reducible to method. His lyrical, hallucinatory evocation of the city as a place of dreams, myths, expectations., Wonderfully imaginative...Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion., "Wonderfully imaginative.... Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion." -Eugen Weber, The New Republic
Dewey Edition
21
TitleLeading
The
Grade From
College Graduate Student
Dewey Decimal
193
Synopsis
In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen-Werk, or Arcades Project, as it might have taken form., Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing,Susan Buck-Morss offers an inventive reconstruction of the Passagen-Werk,or Arcades Project,as it might have taken form. Susan Buck-Morss is Professor of Political Philosophy and Social Theory at Cornell University., Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing , Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time - from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons-as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south-Moscow Paris, Berlin-Naples-and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin's insights but then allows a set of "afterimages" to have the last word., Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing , Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time -- from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons--as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south--Moscow Paris, Berlin-Naples--and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin's insights but then allows a set of "afterimages" to have the last word.
LC Classification Number
PT2603.E455

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