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Shifting Grounds: Landscape in Contemporary Native American Art by Kate Morris

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Last updated on 12 Jul, 2025 16:49:13 BSTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read, but is in good condition. Minimal damage to the book cover eg. ...
Book Title
Shifting Grounds: Landscape in Contemporary Native American Art
Publication Date
2021-02-28
Pages
208
ISBN
9780295749167

About this product

Product Identifiers

Publisher
University of Washington Press
ISBN-10
0295749164
ISBN-13
9780295749167
eBay Product ID (ePID)
25065332828

Product Key Features

Number of Pages
208 Pages
Publication Name
Shifting Grounds : Landscape in Contemporary Native American Art
Language
English
Publication Year
2021
Subject
Subjects & Themes / Landscapes & Seascapes, Ethnic Studies / Native American Studies, Native American
Type
Textbook
Author
Kate Morris
Subject Area
Art, Social Science
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
20.8 Oz
Item Length
9.8 in
Item Width
7 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
23
Grade From
College Graduate Student
Dewey Decimal
700/.46
Synopsis
Foregrounds the importance of landscape within twenty-first-century Indigenous art A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers?and settlers?into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds , art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick?s tactile paintings to the eerie soundscapes of Alan Michelson?s videos to the immersive environments of Kent Monkman?s dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists? engagement not only with land and landscape but also with the history of representation itself., Foregrounds the importance of landscape within twenty-first-century Indigenous art A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds , art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos to the immersive environments of Kent Monkman's dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' engagement not only with land and landscape but also with the history of representation itself.
LC Classification Number
AHP

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