Sublime : From Antiquity to the Present by Timothy M. Costelloe (2012, Trade Paperback)

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About this product

Product Identifiers

PublisherCambridge University Press
ISBN-100521143675
ISBN-139780521143677
eBay Product ID (ePID)112996959

Product Key Features

Number of Pages313 Pages
Publication NameSublime : from Antiquity to the Present
LanguageEnglish
Publication Year2012
SubjectHistory & Surveys / General, Aesthetics
TypeTextbook
Subject AreaPhilosophy
AuthorTimothy M. Costelloe
FormatTrade Paperback

Dimensions

Item Height0.5 in
Item Weight22.9 Oz
Item Length10 in
Item Width7 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN2011-047623
Dewey Edition23
TitleLeadingThe
Reviews"The Sublime: From Antiquity to the Present is a grid of essays on the theory of the sublime and on its realization in nature and art. One informs the other, and I don't know of another book on the subject as systematic and wide-ranging." Ronald Paulson, The Johns Hopkins University, "...The volume is best regarded as a reference work, suitable for research into specific topics.... notable papers included are those of Rodolphe Gasche, Melissa Meritt, Paul Guyer, and Theodore Gracyk.... Recommended..." -- R. Bonzon, Augustana College, CHOICE, "The Sublime: From Antiquity to the Present is a grid of essays on the theory of the sublime and on its realization in nature and art. One informs the other, and I don't know of another book on the subject as systematic and wide-ranging." - Ronald Paulson, The Johns Hopkins University, "The Sublime: From Antiquity to the Present collects together an outstanding group of essays that will set the agenda for future studies of the sublime. It presents a superbly informed philosophical history of the category of the sublime from Longinus to postmodernism in the first part, and in the second a richly detailed thematic overview that demonstrates the continuing fascination of the sublime." - Peter de Bolla, University of Cambridge, "This wide-ranging collection of essays will be a valuable resource to anyone interested in assessing the historical importance of the concept of the sublime and its continuing relevance for contemporary philosophical discussion." Frances Ferguson, University of Chicago, "The Sublime: From Antiquity to the Present collects together an outstanding group of essays that will set the agenda for future studies of the sublime. It presents a superbly informed philosophical history of the category of the sublime from Longinus to postmodernism in the first part, and in the second a richly detailed thematic overview that demonstrates the continuing fascination of the sublime." Peter de Bolla, University of Cambridge, "This wide-ranging collection of essays will be a valuable resource to anyone interested in assessing the historical importance of the concept of the sublime and its continuing relevance for contemporary philosophical discussion." - Frances Ferguson, University of Chicago
IllustratedYes
Dewey Decimal111/.85
Table Of Content'The sublime'. A short introduction to a long history Timothy M. Costelloe; Part I. Philosophical History of the Sublime: 1. Longinus and the ancient sublime Malcolm Heath; 2. ... And the beautiful? Revisiting Edmund Burke's 'double aesthetics' Rodolphe Gasché; 3. The moral source of the Kantian sublime Melissa Meritt; 4. Imagination and internal sense: the sublime in Shaftesbury, Reid, Addison, and Reynolds Timothy M. Costelloe; 5. The associative sublime: Kames, Gerrard, Alison, and Stewart Rachel Zuckert; 6. The 'prehistory' of the sublime in early modern France: an interdisciplinary perspective Éva Madeleine Martin; 7. The post-Kantian German sublime Paul Guyer; 8. The postmodern sublime: presentation and its limits David B. Johnson; Part II. Disciplinary and Other Perspectives: 9. The 'subtler sublime': in modern Dutch aesthetics John R. J. Eyck; 10. The first American sublime Chandos Michael Brown; 11. The environmental sublime Emily Brady; 12. Religion and the sublime Andrew Chignell and Matthew C. Halteman; 13. The British romantic sublime Adam Potkay; 14. The sublime and the fine arts Theodore Gracyk; 15. Architecture and the sublime Richard Etlin.
SynopsisThis volume offers readers a unique and comprehensive overview of theoretical perspectives on 'the sublime', the singular aesthetic response elicited by phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives. Part One examines philosophical approaches advanced historically to account for the phenomenon, beginning with Longinus, moving through eighteenth- and nineteenth-century writers in Britain, France and Germany and concluding with developments in contemporary continental philosophy. Part Two explores the sublime with respect to particular disciplines and areas of study, including Dutch literature, early modern America, the environment, religion, British Romanticism, the fine arts and architecture. Each chapter is both accessible for non-specialists and offers an original contribution to its respective field of inquiry., This volume offers readers a unique and comprehensive overview of theoretical perspectives on "the sublime," the singular aesthetic response elicited by phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives. Part One examines philosophical approaches advanced historically to account for the phenomenon, beginning with Longinus, moving through eighteenth and nineteenth century writers in Britain, France, and Germany, and concluding with developments in contemporary continental philosophy. Part Two explores the sublime with respect to particular disciplines and areas of study, including Dutch literature, early modern America, the environment, religion, British Romanticism, the fine arts, and architecture. Each chapter is both accessible for nonspecialists and offers an original contribution to its respective field of inquiry., This volume offers readers a unique and comprehensive overview of theoretical perspectives on 'the sublime', the singular aesthetic response elicited by objects or phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives.
LC Classification NumberBH301.S7S833 2012

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