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Typemotion Type as Image in Motion Film Art Book Textbook Video Scheffer
US $40.00
Approximately£29.52
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Condition:
Good
A book that has been read, but is in good condition. Minimal damage to the book cover eg. scuff marks, but no holes or tears. If this is a hard cover, the dust jacket may be missing. Binding has minimal wear. The majority of pages are undamaged with some creasing or tearing, and pencil underlining of text, but this is minimal. No highlighting of text, no writing in the margins, and no missing pages. See the seller’s listing for full details and description of any imperfections.
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US $6.13 (approx £4.52) USPS Media MailTM.
Located in: Savannah, Georgia, United States
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eBay item number:296036944996
Item specifics
- Condition
- ISBN
- 9783775737838
About this product
Product Identifiers
Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775737839
ISBN-13
9783775737838
eBay Product ID (ePID)
201576637
Product Key Features
Book Title
Typemotion : Type As Image in Motion
Number of Pages
464 Pages
Language
English
Topic
Film / General, General
Publication Year
2015
Illustrator
Yes
Genre
Art, Performing Arts, Photography
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
55.3 Oz
Item Length
9.8 in
Item Width
7.7 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
791.436
Synopsis
Typemotion looks at a variety of artistic productions in which type is animated--from feature films and advertising to artworks and music videos--with examples from 20 countries dating from 1895 to the present. Tracing the transition from analogue to digital treatments of type, it provides insights into larger cultural and media developments, while also speculating on the future of animated type, particularly in the realm of interactive media. Among the extraordinary range of cross-disciplinary contributors to this volume are John Baldessari, Saul Bass, Stan Brakhage, Marcel Broodthaers, Dellbr gge & de Moll, Marcel Duchamp, Sergei Eisenstein, Expanded Gramophone Project, Hollis Frampton, Terry Gilliam, Jenny Holzer, Isidore Isou, Eduardo Kac, Ferdinand Kriwet, Fritz Lang, Maurice Lema tre, Len Lye, David Lynch, Gaspar No , Tony Oursler, Phenomena, Dieter Roth, Gerhard R hm, Paul Sharits, Super Swap Sweden, Timm Ulrichs, Stan Vanderbeek, Johannes Vogt, Paul Wegener and Peter Weibel., Typemotion looks at a variety of artistic productions in which type is animated--from feature films and advertising to artworks and music videos--with examples from 20 countries dating from 1895 to the present. Tracing the transition from analogue to digital treatments of type, it provides insights into larger cultural and media developments, while also speculating on the future of animated type, particularly in the realm of interactive media. Among the extraordinary range of cross-disciplinary contributors to this volume are John Baldessari, Saul Bass, Stan Brakhage, Marcel Broodthaers, Dellbrgge & de Moll, Marcel Duchamp, Sergei Eisenstein, Expanded Gramophone Project, Hollis Frampton, Terry Gilliam, Jenny Holzer, Isidore Isou, Eduardo Kac, Ferdinand Kriwet, Fritz Lang, Maurice Lematre, Len Lye, David Lynch, Gaspar No, Tony Oursler, Phenomena, Dieter Roth, Gerhard Rhm, Paul Sharits, Super Swap Sweden, Timm Ulrichs, Stan Vanderbeek, Johannes Vogt, Paul Wegener and Peter Weibel., No other genre sets words in motion the way that film does: whether it is an art film, a dramatic film, advertising, or a music video, the scripted film has been established since the pioneering days of film in the late nineteenth century, and has expanded to other areas since then. In a certain way, lead type from the early days of printing has found its way onto 21st-century screens. With analogue and digital work methods, words in motion have continued to become even more multifaceted. They are no longer simply used to convey information, but have gained an autonomous, aesthetic status of their own. This volume deals with the artistic word-film, in particular, and presents examples of analogue and digital films in which animated and designed words, sometimes set to music, are turned into a major character, going far beyond what is conventionally expected of words and words in film. Exhibition schedule: ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, November 16, 2013-January 12, 2014 FACT Foundation for Art and Creative Technology, Liverpool November 6, 2014-February 15, 2015 Goethe Institutes around the world And further venues, Typemotion looks at a variety of artistic productions in which type is animated--from feature films and advertising to artworks and music videos--with examples from 20 countries dating from 1895 to the present. Tracing the transition from analogue to digital treatments of type, it provides insights into larger cultural and media developments, while also speculating on the future of animated type, particularly in the realm of interactive media. Among the extraordinary range of cross-disciplinary contributors to this volume are John Baldessari, Saul Bass, Stan Brakhage, Marcel Broodthaers, Dellbrügge & de Moll, Marcel Duchamp, Sergei Eisenstein, Expanded Gramophone Project, Hollis Frampton, Terry Gilliam, Jenny Holzer, Isidore Isou, Eduardo Kac, Ferdinand Kriwet, Fritz Lang, Maurice Lemaître, Len Lye, David Lynch, Gaspar Noé, Tony Oursler, Phenomena, Dieter Roth, Gerhard Rühm, Paul Sharits, Super Swap Sweden, Timm Ulrichs, Stan Vanderbeek, Johannes Vogt, Paul Wegener and Peter Weibel.
LC Classification Number
PN1995
Text by
Lentz, Michael, Block, Friedrich W., Sachsse, Rolf, Dencker, Klaus Peter, Paech, Joachim
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