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Figurines : Figuration and the Sense of Scale, HC by Elsner, Jas SUPPER SALE

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Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN
9780198861096

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198861095
ISBN-13
9780198861096
eBay Product ID (ePID)
27050021127

Product Key Features

Book Title
Figurines : Figuration and the Sense of Scale
Number of Pages
208 Pages
Language
English
Topic
Archaeology, Decorative Arts
Publication Year
2020
Illustrator
Yes
Genre
Design, Social Science
Author
Jaś Elsner
Book Series
Visual Conversations in Art and Archaeology Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
21.9 Oz
Item Length
10 in
Item Width
7.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-944027
Dewey Edition
23
Reviews
"Elsner's book should be used ... as a springboard for scholars and students to experiment with, pushing themselves to articulate and theorize their own approach to figurines, miniaturization, scale, and animation in their respective fields of study, and to conceive of figurines as semiotic icons in playful, creative ways. Scholars and students of art history, archaeology, and the study of material culture, will therefore find this book potent with questions that may inspire innovative studies in their own regions, cultures, and periods of specialty." -- Liat Naeh, BMCR"Scintillating." -- Michael Squire, Greece & Rome, "Elsner's book should be used ... as a springboard for scholars and students to experiment with, pushing themselves to articulate and theorize their own approach to figurines, miniaturization, scale, and animation in their respective fields of study, and to conceive of figurines as semiotic icons in playful, creative ways. Scholars and students of art history, archaeology, and the study of material culture, will therefore find this book potent with questions that may inspire innovative studies in their own regions, cultures, and periods of specialty." -- Liat Naeh, BMCR "Scintillating." -- Michael Squire, Greece & Rome
Dewey Decimal
730.93
Table Of Content
Introduction1. Small Wonders: Figurines, Puppets, and the Aesthetics of Scale in Archaic and Classical Greece2. Shifting Scales at La Venta3. Thinking Through Scale: The First Emperor's Sculptural Enterprise4. The Death of the Figurine: Reflections on an Abrahamic AbstentionEpilogue
Synopsis
As touchable objects, figurines have potential for a potent agency in relation to those who use them. This volume considers the figurine as a key conceptual and material problematic in the art history of antiquity through comparative juxtaposition and deep art-historical engagement with Chinese, pre-Columbian Mesoamerican, and Greco-Roman cultures., Figurines are objects of handling. As touchable objects, they engage the viewer in different ways from flat art, whether relief sculpture or painting. Unlike the voyeuristic relationship of viewing a neatly framed pictorial narrative as if from the outside, the viewer as handler is always potentially and without protection within the narrative of figurines. As such, they have potential for a potent, even animated, agency in relation to those who use them. This volume concerns figurines as archaeologically-attested materials from literate cultures with surviving documents that have no direct links of contiguity, appropriation, or influence in relation to each other. It is an attempt to put the category of the figurine on the table as a key conceptual and material problematic in the art history of antiquity. It does so through comparative juxtaposition of close-focused chapters drawn from deep art-historical engagement with specific ancient cultures - Chinese, pre-Columbian Mesoamerican, and Greco-Roman. It encourages comparative conversation across the disciplines that constitute the art history of the ancient world through finding categories and models of discourse that may offer fertile ground for comparison and antithesis. It extends the rich and astute literature on prehistoric figurines into understanding the figurine in historical contexts, where literary texts and documents, inscriptions, or surviving terminologies can be adduced alongside material culture. At stake are issues of figuration and anthropomorphism, miniaturization and portability, one-off production and replication, and substitution and scale at the interface of archaeology and art history., Figurines are objects of handling. As touchable objects, they engage the viewer in different ways from flat art, whether relief sculpture or painting. Unlike the voyeuristic relationship of viewing a neatly framed pictorial narrative as if from the outside, the viewer as handler is always potentially and without protection within the narrative of figurines. As such, they have potential for a potent, even animated, agency in relation to those who use them.This volume concerns figurines as archaeologically-attested materials from literate cultures with surviving documents that have no direct links of contiguity, appropriation, or influence in relation to each other. It is an attempt to put the category of the figurine on the table as a key conceptual and material problematic in the art history of antiquity. It does so through comparative juxtaposition of close-focused chapters drawn from deep art-historical engagement with specific ancient cultures - Chinese, pre-Columbian Mesoamerican, and Greco-Roman. It encourages comparative conversation across the disciplines that constitute the art history of the ancient world through finding categories and models of discourse that may offer fertile ground for comparison and antithesis. It extends the rich and astute literature on prehistoric figurines into understanding the figurine in historical contexts, where literary texts and documents, inscriptions, or surviving terminologies can be adduced alongside material culture. At stake are issues of figuration and anthropomorphism, miniaturization and portability, one-off production and replication, and substitution and scale at the interface of archaeology and art history.
LC Classification Number
NK4660

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