Most Typical Avant-Garde : History and Geography of Minor Cinemas in Los Angeles by David E. James (2005, Hardcover)

University of California Press

0520242572

9780520242579

30779980

562 Pages

Most Typical Avantgarde : History and Geography of Minor Cinemas in Los Angeles

English

2005

Film / General, Human Geography, Industries / Entertainment

Textbook

David E. James

Performing Arts, Social Science, Business & Economics

Hardcover

1.5 in

34.3 Oz

10 in

7 in

Scholarly & Professional

2004-009964

22

The

Yes

384/.8/0979494

List of Illustrations Acknowledgments 1. Avant-Garde Cinemas in Los Angeles 2. The Twenties: Avant-Garde in Hollywood 3. Hollywood Extras: A Great Tradition in Avant-Garde Cinema 4. The Thirties: Avant-Garde in the Industry 5. An Impossible Avant-Garde: Working-Class Cinema in Los Angeles 6. The Idea of the Amateur 7. The Forties: Wizards of the Id, Maya Deren and Her Acolytes 8. Minor Cinemas: Institutions of the Avant-Garde 9. Film and the Other Arts 10. Minority Cinemas: Film and Identity Politics in the Seventies 11. Narrating Los Angeles: Art Films and Independent Features 12. Documenting Southern California: Structural Film and Landscape Notes Acknowledgments of Permissions Index

Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture., Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films--many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods--from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture's utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California's geography.

2004009964