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Cinema of Loneliness by Robert P. Kolker (Paperback, 1980, Oxford Press)

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Last updated on 22 Jul, 2025 20:33:23 BSTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read, but is in good condition. Minimal damage to the book cover eg. ...
ISBN
9780195053906

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195053907
ISBN-13
9780195053906
eBay Product ID (ePID)
45740

Product Key Features

Edition
2
Book Title
Cinema of Loneliness : Penn, Kubrick, Scorsese, Spielberg, Altman
Number of Pages
464 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
1988
Features
Revised
Illustrator
Yes
Genre
Performing Arts
Author
Robert Phillip Kolker
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
14.2 Oz
Item Length
8 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
LCCN
87-034945
Dewey Edition
19
TitleLeading
A
Dewey Decimal
791.43/0973
Edition Description
Revised edition
Synopsis
The "New Wave" style of American film of the 1960s and 70s--characterized by exciting, narrative innovation and sometimes adventurous reworkings of older film genres, as well as images of solitude and explosive violence--has come to an end. Erasing virtually all traces of 60s and 70s experimentation, American film in the 1980s has returned with a vengeance to a more linear, conventional style. In this newly revised edition of The Cinema of Loneliness, Robert Phillip Kolker continues and expands his inquiry into the phenomenon of cinematic representations of culture by updating the chapters on the directors discussed in the first edition--Arthur Penn, Stanley Kubrick, Martin Scorsese, and Robert Altman--to include their latest work, and by substituting for the chapter on Francis Ford Coppola a chapter on the cultural, political, and ideological formations of eighties films and the work of Steven Spielberg. He incorporates new discussions to include the more recent films, such as Arthur Penn's Four Friends (1983) and Target (1985); Stanley Kubrick's direction of The Shining (1980) and Full Metal Jacket (1987); Martin Scorsese's Raging Bull (1980), The King of Comedy (1983), After Hours (1985), and The Color of Money (1986); and Robert Altman's A Perfect Couple (1979), Popeye (1980), Streamers (1983), A Fool for Love (1985), and Beyond Therapy (1987). Placing the films of Penn, Kubrick, Scorsese, Spielberg, and Altman in an ideological perspective, Kolker both illuminates their relationship to one another and to larger currents in our culture, and emphasizes the statements their films make about American society., This newly revised edition of Kolker's study on modern cinema continues and expands his earlier discussions by updating the chapters on the directors explored in the first edition to include their latest work, and by substituting for the chapter on Francis Ford Coppola a chapter on the cultural, political, and ideological dimensions of 80s films and the work of Steven Spielberg., The "New Wave" style of American film of the 1960s and 70s--characterized by exciting, narrative innovation and sometimes adventurous reworkings of older film genres, as well as images of solitude and explosive violence--has come to an end. Erasing virtually all traces of 60s and 70s experimentation, American film in the 1980s has returned with a vengeance to a more linear, conventional style. In this newly revised edition of The Cinema of Loneliness , Robert Phillip Kolker continues and expands his inquiry into the phenomenon of cinematic representations of culture by updating the chapters on the directors discussed in the first edition--Arthur Penn, Stanley Kubrick, Martin Scorsese, and Robert Altman--to include their latest work, and by substituting for the chapter on Francis Ford Coppola a chapter on the cultural, political, and ideological formations of eighties films and the work of Steven Spielberg. He incorporates new discussions to include the more recent films, such as Arthur Penn's Four Friends (1983) and Target (1985); Stanley Kubrick's direction of The Shining (1980) and Full Metal Jacket (1987); Martin Scorsese's Raging Bull (1980), The King of Comedy (1983), After Hours (1985), and The Color of Money (1986); and Robert Altman's A Perfect Couple (1979), Popeye (1980), Streamers (1983), A Fool for Love (1985), and Beyond Therapy (1987). Placing the films of Penn, Kubrick, Scorsese, Spielberg, and Altman in an ideological perspective, Kolker both illuminates their relationship to one another and to larger currents in our culture, and emphasizes the statements their films make about American society.
LC Classification Number
PN1993.5.U6K57 1988

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  • a***a (12)- Feedback left by buyer.
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    PURCHASE WAS AN EXCELLENT EXPERIENCE. IT WAS CAREFULLY PACKAGED SHIPPED PROMPTLY. FOUND THE BOOK IN EXCELLENT CONDITION. IT IS VERY OBVIOUS THAT IT HAS RECEIVED VERY GOOD CARE BY THE OWNER OVER MANY YEARS. IT IS A PLEASURE TO OWN AND WILL BE TREASURED. RECOMMEND. YOU WOULD NOT BE DISAPPOINTED BUYING FROM THIS SELLER. MANY THANKS…..
  • s***n (154)- Feedback left by buyer.
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    Very much delayed. This was ordered in June, I believe, and was shipped July 7th. I enquired about it and I don't think I ever got a response at all. I owuld not buy from this seller again, frankly. Book has not arrived yet.
  • a***a (676)- Feedback left by buyer.
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    A++++ SELLER, ITEM AS DESCRIBED, FAST SHIPPING.