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A CAPPELLA: AN ANTHOLOGY OF UNACCOMPANIED CHORAL MUSIC By John Gardner & Simon

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US $28.75
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Condition:
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Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ... Read moreAbout condition
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Last updated on 02 Aug, 2025 17:58:30 BSTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ...
ISBN-10
019336199X
Book Title
A Cappella: An Anthology of Unaccompanied Choral Music From Seven
ISBN
9780193361997

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
019336199X
ISBN-13
9780193361997
eBay Product ID (ePID)
25038282883

Product Key Features

Number of Pages
144 Pages
Publication Name
Cappella : an Anthology of Unaccompanied Choral Music from Seven Centuries
Language
English
Subject
Genres & Styles / Classical, Printed Music / Choral
Publication Year
1992
Type
Textbook
Subject Area
Music
Author
Simon Harris
Format
Sheet Music

Dimensions

Item Height
0.4 in
Item Weight
10.4 Oz
Item Length
6.7 in
Item Width
9.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
TitleLeading
A
Synopsis
A collection of 30 choral songs for SATB unaccompanied, both secular and sacred. Diversity and eclecticism are the hallmarks of this collection: the pieces range from two to eight voices; from monuments of the Renaissance to miniature canons from the Romantic period. There are notes on each piece, and prose translations for non-English texts., A unique anthology which casts its net far and wide across seven centuries of unaccompanied European choral music, this book is a fascinating selection of thirty pieces, ideal for enterprising choirs looking for something out of the ordinary to enliven their repertoire. Diversity and eclecticism are the hallmarks of this stimulating collection: the pieces range from two to eight voices; from monuments of the Renaissance to miniature canons by Lawes, Schubert, and Brahms; from "Sumer is icumen in" to Stanford and Grieg. This is a truly European anthology, encompassing the music of composers from England, France, Spain, Norway, Italy, Germany, and the Netherlands. The contents are arranged chronologically, and though they include a few classics of the genre that no such survey can afford to ignore, the majority of pieces are unjustifiably lesser known. All are newly edited from their sources, at original pitch and in original note-values wherever practical; minimal editorial intervention allows this music to breathe afresh. There are notes on each piece, and prose translation for non-English texts., A unique anthology which casts its net far and wide across seven centuries of unaccompanied European choral music, this book is a fascinating selection of thirty pieces, ideal for enterprising choirs looking for something out of the ordinary to enliven their repertoire. Diversity and eclecticism are the hallmarks of this stimulating collection: the pieces range from two to eight voices; from monuments of the Renaissance to miniature canons by Lawes, Schubert, and Brahms; from Sumer is icumen in to Stanford and Grieg. This is a truly European anthology, encompassing the music of composers from England, France, Spain, Norway, Italy, Germany, and the Netherlands. The contents are arranged chronologically, and though they include a few classics of the genre that no such survey can afford to ignore, the majority of pieces are unjustifiably lesser known. All are newly edited from their sources, at original pitch and in original note-values wherever practical; minimal editorial intervention allows this music to breathe afresh. There are notes on each piece, and prose translation for non-English texts.

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