Film Structure and the Emotion System by Greg M. Smith (2003, Hardcover)

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About this product

Product Identifiers

PublisherCambridge University Press
ISBN-100521817587
ISBN-139780521817585
eBay Product ID (ePID)2373098

Product Key Features

Number of Pages230 Pages
Publication NameFilm Structure and the Emotion System
LanguageEnglish
Publication Year2003
SubjectFilm / General
TypeTextbook
Subject AreaPerforming Arts
AuthorGreg M. Smith
FormatHardcover

Dimensions

Item Height0.9 in
Item Weight18.4 Oz
Item Length9.3 in
Item Width6.3 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN2002-034987
Dewey Edition21
Reviews"...this book provides a comprehensive study of the theories of emotion and successfully defines its 'emotion system' in relation to film structure. It also includes a thorough review of prior studies on the subject..." Journal of Film and Video
IllustratedYes
Dewey Decimal791.43019
Table Of ContentPart I. Developing the Approach: 1. An invitation to feel; 2. The emotion system and nonprototypical emotions; 3. The mood-cue approach to filmic emotion; 4. Other cognitivisms; Part II. Analyzing Emotional Appeals in Film: 5. 'Couldn't you read between those pitiful lines?': feeling for Stella Dallas; 6. Strike-ing out: the partial success of early Eisenstein's emotional appeal; 7. Lyricism and unevenness: emotional transitions in Renoir's A Day in the Country and The Lower Depths; 8. Emotion work: The Joy Luck Club and the limits of the emotion system; 9. 'I was misinformed': nostalgia and uncertainty in Casablanca; Part III. Afterword: 10. An invitation to interpret; Appendix: the neurological basis of psychoanalytic film theory: Metz's emotional debt to Freud the biologist; Notes; Index.
SynopsisSynthesizes research on emotion in cognitive psychology and neurology to provide an understanding of how film evokes emotion., Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Although the experience of emotion is central to the viewing of movies, film studies have neglected to focus attention on the emotions, relying instead on vague psychoanalytic concepts of desire. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion. Analysing a variety and range of films, including Casablanca and Stranger than Paradise, this book offers a grounded approach to the mechanisms through which films appeal to the human emotions, demonstrating the role of style and narration in this process., Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion., Synthesizing recent research on emotion in cognitive psychology and neurology, this study provides a more nuanced understanding of how film evokes emotion. Although the experience of emotion is central to movie-viewing, film studies have not focused on the emotions, relying instead on vague psychoanalytic concepts of desire. This volume describes a grounded approach to analyzing the emotional appeal of a wide variety of films (from Casablanca to Stranger than Paradise, from Renoir to Spielberg), showing how style and narration call upon the viewer's emotion system.
LC Classification NumberPN1995 .S5355 2003
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