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Killer Tapes and Shattered Screens : Video Spectatorship from VHS to File Sha...

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Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Killer Tapes and Shattered Screens : Video Spectatorship from VHS
ISBN
9780520275126
Subject Area
Art, Computers, Performing Arts, Photography
Publication Name
Killer Tapes and Shattered Screens : Video Spectatorship from Vhs to File Sharing
Publisher
University of California Press
Item Length
9 in
Subject
Film / Genres / Horror, Film / General, Digital Media / Video & Animation, Television / General, Digital, Film / Direction & Production, Techniques / Cinematography & Videography
Publication Year
2013
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.9 in
Author
Caetlin Benson-Allott
Item Weight
14.4 Oz
Item Width
6 in
Number of Pages
312 Pages

About this product

Product Identifiers

Publisher
University of California Press
ISBN-10
0520275128
ISBN-13
9780520275126
eBay Product ID (ePID)
150659408

Product Key Features

Number of Pages
312 Pages
Language
English
Publication Name
Killer Tapes and Shattered Screens : Video Spectatorship from Vhs to File Sharing
Subject
Film / Genres / Horror, Film / General, Digital Media / Video & Animation, Television / General, Digital, Film / Direction & Production, Techniques / Cinematography & Videography
Publication Year
2013
Type
Textbook
Author
Caetlin Benson-Allott
Subject Area
Art, Computers, Performing Arts, Photography
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
14.4 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-038612
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43656
Table Of Content
List of Illustrations Acknowledgments Introduction: Opening Up to Home Video 1. Distributing the Dead: Video Spectatorship in the Films of George A. Romero 2. Addressing the "New Flesh": Videodrome's Format War 3. Reprotechnophobia: Putting an End to Analog Abjection with The Ring 4. Going, Going, Grindhouse: Simulacral Cinematicity and Postcinematic Spectatorship 5. Paranormal Spectatorship: Faux Footage Horror and the P2P Spectator Conclusion: Power Play Notes Bibliography Filmography, Videography, and Gameography Index
Synopsis
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
LC Classification Number
PN1995.9.T43B46 2013
ebay_catalog_id
4
Copyright Date
2013

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Expert Trading Limited
John Boyer
9220 Rumsey Rd
Ste 101
21045-1956 Columbia, MD
United States
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