Eric Rohmer (French Film Directors), Schilling, Derek, Very Good Book

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Condition:
Very Good
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ”... Read moreAbout condition
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Last updated on 08 Oct, 2025 18:41:13 BSTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9780719072345
Category

About this product

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719072344
ISBN-13
9780719072345
eBay Product ID (ePID)
59081603

Product Key Features

Book Title
Eric Rohmer
Number of Pages
224 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Publication Year
2007
Illustrator
Yes
Genre
Performing Arts
Author
Derek Schilling
Book Series
French Film Directors Mup Ser.
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
9.7 Oz
Item Length
5.2 in
Item Width
7.9 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
791.430233092
Table Of Content
Introduction 1. Career overview 2. Theory and criticism 3. Style and technique 4. Seriality and theme 5. Literature and history Conclusion
Synopsis
Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles. Occasionally dismissed as precious or overly literary, Rohmer's features may leave the impression that there is more to listen to than to look at. Yet as the secretive director (b. Maurice Sch rer in 1920) points out, dialogue is no less engaging than the best gunfights, and if his characters prefer discussing love to making it, they are no less the 'heroes' of the stories they tell. Charges of political conservatism aside, the author of My Night at Maud's, Summer and such period films as Perceval and the all-digital The Lady and the Duke emerges - like Hitchcock before him - as a singular inventor of cinematic forms. This critical overview, which contains an extensive bibliography and a filmography, will appeal to students of Film Studies, French Studies, and enthusiasts., Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles. Occasionally dismissed as precious or overly literary, Rohmer's features may leave the impression that there is more to listen to than to look at. Yet as the secretive director (b. Maurice Schérer in 1920) points out, dialogue is no less engaging than the best gunfights, and if his characters prefer discussing love to making it, they are no less the 'heroes' of the stories they tell. Charges of political conservatism aside, the author of My Night at Maud's, Summer and such period films as Perceval and the all-digital The Lady and the Duke emerges - like Hitchcock before him - as a singular inventor of cinematic forms. This critical overview, which contains an extensive bibliography and a filmography, will appeal to students of Film Studies, French Studies, and enthusiasts., Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles. Occasionally dismissed as precious or overly literary, Rohmer's features may leave the impression that there is more to listen to than to look at. Yet as the secretive director (b. Maurice Schérer in 1920) points out, dialogue is no less engaging than the best gunfights, and if his characters prefer discussing love to making it, they are no less the 'heroes' of the stories they tell.Charges of political conservatism aside, the author of My Night at Maud's, Summer and such period films as Perceval and the all-digital The Lady and the Duke emerges - like Hitchcock before him - as a singular inventor of cinematic forms. This critical overview, which contains an extensive bibliography and a filmography, will appeal to students of Film Studies, French Studies, and enthusiasts.

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Midtown Scholar Bookstore

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