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Dixie Bohemia: A French Quarter Circle in the 1920s (Paperback or Softback)

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eBay item number:363589747549
Last updated on 15 Apr, 2024 13:46:08 BSTView all revisionsView all revisions

Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
EAN
9780807156100
ISBN
0807156108
Binding
TP
Book Title
Dixie Bohemia : a French Quarter Circle in the 1920s
Book Series
Walter Lynwood Fleming Lectures in Southern History Ser.
Publisher
LSU Press
Item Length
9.2 in
Publication Year
2014
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.9 in
Author
John Shelton Reed
Genre
Literary Criticism, Social Science, Biography & Autobiography, History
Topic
United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), General, American / General, Customs & Traditions
Item Weight
12.3 Oz
Item Width
6.1 in
Number of Pages
344 Pages

About this product

Product Identifiers

Publisher
LSU Press
ISBN-10
0807156108
ISBN-13
9780807156100
eBay Product ID (ePID)
203385461

Product Key Features

Book Title
Dixie Bohemia : a French Quarter Circle in the 1920s
Number of Pages
344 Pages
Language
English
Publication Year
2014
Topic
United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), General, American / General, Customs & Traditions
Illustrator
Yes
Genre
Literary Criticism, Social Science, Biography & Autobiography, History
Author
John Shelton Reed
Book Series
Walter Lynwood Fleming Lectures in Southern History Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
12.3 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
Synopsis
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
Copyright Date
2012
ebay_catalog_id
4

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