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From Madea to Media Mogul: Theorizing Tyler Perry, , Very Good Book

Midtown Scholar Bookstore
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Condition:
Very Good
Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ... Read moreAbout condition
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Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9781496807045
Subject Area
Performing Arts, Social Science
Publication Name
From Madea to Media Mogul : Theorizing Tyler Perry
Publisher
University Press of Mississippi
Item Length
9 in
Subject
Media Studies, Acting & Auditioning, Film / History & Criticism, Ethnic Studies / African American Studies
Publication Year
2016
Type
Textbook
Format
Hardcover
Language
English
Author
Samantha N. Sheppard
Item Weight
12.3 Oz
Item Width
6 in
Number of Pages
290 Pages

About this product

Product Identifiers

Publisher
University Press of Mississippi
ISBN-10
1496807049
ISBN-13
9781496807045
eBay Product ID (ePID)
219166714

Product Key Features

Number of Pages
290 Pages
Language
English
Publication Name
From Madea to Media Mogul : Theorizing Tyler Perry
Subject
Media Studies, Acting & Auditioning, Film / History & Criticism, Ethnic Studies / African American Studies
Publication Year
2016
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Samantha N. Sheppard
Format
Hardcover

Dimensions

Item Weight
12.3 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2015-048409
Dewey Edition
23
Reviews
From Madea to Media Mogul is a necessary foundation for discussion about the Black cinematic experience within the confines of popular culture. Russworm, Sheppard, and Bowdre provide a timely collection in response to a lack of platforms for critical analysis. This important monograph addresses concern for the intricacy that is Black cinema, its future, and whose hands that future lies in., Russworm, Sheppard, and Bowdre offer a rigorous collection of well-timed essays on an underserved area of American cinema. From Madea to Media Mogul: Theorizing Tyler Perry is an engaging anthology that places industrial practices into dialogue with auteurist sensibilities and theoretical models. It enables scholars, students, and spectators to consider the complexities and contradictions embedded in African American culture and filmmaking.Mia Mask, professor of film at Vassar College and cultural commentator on National Public Radio, Russworm, Sheppard, and Bowdre offer a rigorous collection of well-timed essays on an underserved area of American cinema. From Madea to Media Mogul: Theorizing Tyler Perry is an engaging anthology that places industrial practices into dialogue with auteurist sensibilities and theoretical models. It enables scholars, students, and spectators to consider the complexities and contradictions embedded in African American culture and filmmaking., "Russworm, Sheppard, and Bowdre offer a rigorous collection of well-timed essays on an underserved area of American cinema. From Madea to Media Mogul: Theorizing Tyler Perry is an engaging anthology that places industrial practices into dialogue with auteurist sensibilities and theoretical models. It enables scholars, students, and spectators to consider the complexities and contradictions embedded in African American culture and filmmaking." --Mia Mask, professor of film at Vassar College and cultural commentator on National Public Radio
Dewey Decimal
791.4302/8092
Synopsis
Contributions by Leah Aldridge, Karen M. Bowdre, Aymar Jean Christian, Keith Corson, Rachel Jessica Daniel, Artel Great, Brandeise Monk-Payton, Miriam J. Petty, Eric Pierson, Paul N. Reinsch, TreaAndrea M. Russworm, Rashida Z. Shaw, Samantha N. Sheppard, Ben Raphael Sher, and Khadijah Costley White For over a decade, Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed "mad black woman," not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week. Is the commercially successful African American actor, director, screenwriter, playwright, and producer "malt liquor for the masses," an "embarrassment to the race ," or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry's flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a "post-racial" society? In light of these debates, From Madea to Media Mogul makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. Contributors demonstrate how a critical engagement with Perry's work and media practices highlights a need for studies to grapple with developing theories and methods on disreputable media. These essays challenge value-judgment criticisms and offer new insights on the industrial and formal qualities of Perry's work., Contributions by Leah Aldridge, Karen M. Bowdre, Aymar Jean Christian, Keith Corson, Rachel Jessica Daniel, Artel Great, Brandeise Monk-Payton, Miriam J. Petty, Eric Pierson, Paul N. Reinsch, TreaAndrea M. Russworm, Rashida Z. Shaw, Samantha N. Sheppard, Ben Raphael Sher, and Khadijah Costley White For over a decade, Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed "mad black woman," not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week. Is the commercially successful African American actor, director, screenwriter, playwright, and producer "malt liquor for the masses," an "embarrassment to the race!," or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry's flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a "post-racial" society? In light of these debates, From Madea to Media Mogul makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. Contributors demonstrate how a critical engagement with Perry's work and media practices highlights a need for studies to grapple with developing theories and methods on disreputable media. These essays challenge value-judgment criticisms and offer new insights on the industrial and formal qualities of Perry's work., For over a decade, Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed ""mad black woman,"" not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week. Is the commercially successful African American actor, director, screenwriter, playwright, and producer ""malt liquor for the masses,"" an ""embarrassment to the race!,"" or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry's flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a ""post-racial"" society?In light of these debates, From Madea to Media Mogul makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. Contributors demonstrate how a critical engagement with Perry's work and media practices highlights a need for studies to grapple with developing theories and methods on disreputable media. These essays challenge value-judgment criticisms and offer new insights on the industrial and formal qualities of Perry's work.
LC Classification Number
PN1998.3.P4575F86

Item description from the seller

Midtown Scholar Bookstore

Midtown Scholar Bookstore

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