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Picture 1 of 1
Transpositions
US $31.77
Approximately£25.16
or Best Offer
Condition:
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ”... Read moreAbout condition
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Located in: Harrisburg, Pennsylvania, United States
Delivery:
Estimated between Thu, 27 Jun and Sat, 29 Jun to 43230
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eBay item number:364648333453
Item specifics
- Condition
- Very Good
- Seller notes
- ISBN
- 9789462701410
- Book Title
- Transpositions : Aesthetico-Epistemic Operators in Artistic Research
- Book Series
- Orpheus Institute Ser.
- Publisher
- Leuven University Press
- Item Length
- 11.3 in
- Publication Year
- 2018
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Genre
- Music, Art, Philosophy
- Topic
- Criticism & Theory, Aesthetics, Instruction & Study / Theory
- Item Weight
- 48.1 Oz
- Item Width
- 7.5 in
- Number of Pages
- 300 Pages
About this product
Product Identifiers
Publisher
Leuven University Press
ISBN-10
9462701415
ISBN-13
9789462701410
eBay Product ID (ePID)
20038741001
Product Key Features
Book Title
Transpositions : Aesthetico-Epistemic Operators in Artistic Research
Number of Pages
300 Pages
Language
English
Topic
Criticism & Theory, Aesthetics, Instruction & Study / Theory
Publication Year
2018
Illustrator
Yes
Genre
Music, Art, Philosophy
Book Series
Orpheus Institute Ser.
Format
Trade Paperback
Dimensions
Item Weight
48.1 Oz
Item Length
11.3 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-563391
Dewey Edition
23
Dewey Decimal
111/.85
Synopsis
Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D'Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura Gonz lez (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Universit Paris 1/Universit Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirr (University of Music and Performing Arts Graz), Hans-J rg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts), Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D'Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts), Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D?Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts), Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference...
LC Classification Number
BH39
Copyright Date
2018
ebay_catalog_id
4
Item description from the seller
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eBay item number:364648333453
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Harrisburg, Pennsylvania, United States
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| Postage and packaging | To | Service | Delivery*See Delivery notes |
|---|---|---|---|
| Free postage | United States | Economy Shipping | Estimated between Thu, 27 Jun and Sat, 29 Jun to 43230 |
| US $12.95 (approx £10.26) | United States | Expedited Shipping | Estimated between Wed, 26 Jun and Fri, 28 Jun to 43230 |
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| Will usually dispatch within 2 working days of receiving cleared payment. |
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WOW! The condition is incredible for the price I paid - I thank the seller for accepting my offer as I'm poor and need all the help I can get in obtaining the more expensive otogizoshi & other medieval & ancient Japanese Literature that I'm looking for, so this seller really was generous with the price and I thank them from the bottom of my heart. Packaged super safe, really fast shipping, and the book is like new, so much better than the Ad's description! HIGHLY RECOMMEND THIS SELLER FOR SURE!!
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Excellent EBAY Seller! Book was exactly as described (in excellent NEW condition), very carefully packaged and arrived to my Mailing address promptly. Excellent service, great selection of titles, good communication, and I would happily recommend and buy again from this Seller “Midtown Scholar Bookstore"…..Bravo!
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Book arrived earlier than expected and was packaged well. Book was in better condition than described and seller was very helpful when I had questions. Best of all, price was extremely reasonable. One of the best experiences I’ve ever had with any seller on Ebay.
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