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Interwar Vienna: Culture Between Tradition and Modernity by Deborah Holmes (Engl
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Item specifics
- Condition
- ISBN-13
- 9781571134202
- Book Title
- Interwar Vienna: Culture Between Tradition and Modernity
- ISBN
- 9781571134202
About this product
Product Identifiers
Publisher
Boydell & Brewer, Incorporated
ISBN-10
1571134204
ISBN-13
9781571134202
eBay Product ID (ePID)
71879752
Product Key Features
Number of Pages
310 Pages
Language
English
Publication Name
Interwar Vienna : Culture between Tradition and Modernity
Subject
European / German, Europe / Germany, Sociology / General, Social History
Publication Year
2009
Type
Textbook
Subject Area
Literary Criticism, Social Science, History
Series
Studies in German Literature Linguistics and Culture Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
20.8 Oz
Item Length
9.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2009-018412
Reviews
An excellent collection. explores a pleasingly wide range of cultural activities.. Warmly recommended. JOURNAL OF EUROPEAN STUDIES The intellectual level of the essays is consistently high. The primary and secondary literature in English and German - from Stefan Zweig to Gregor von Rezzori and Carl E. Schorske - is handled competently. LITERATURKRITIK.DE Contributors show how . . . interwar Vienna was an exhilarating place that hosted pioneering developments in the arts. BOOKNEWS [T]his collection should stimulate a general rethinking of interwar Austria, a significant site of cultural production overshadowed by German and European politics in the scholarly mind. . . . [I]t opens up new scholarly terrains that need future consideration. MONATSHEFTE
Dewey Edition
22
Series Volume Number
43
Illustrated
Yes
Volume Number
Vol. 43
Dewey Decimal
943.6/13051
Table Of Content
Introduction: Beyond the Coffeehouse. Vienna as a Cultural Center between the World Wars - Deborah Holmes Introduction: Beyond the Coffeehouse. Vienna as a Cultural Center between the World Wars - Lisa Silverman Cultural Parameters between the Wars: A Reassessment of the Vienna Circles - Edward Timms "weisse Struempfe oder neue Kutten": Cultural Decline in Vienna in the 1930s - John Warren "Wiener Kreise": Jewishness, Politics, and Culture in Interwar Vienna - Wolfgang Maderthaner and Lisa Silverman A City Regenerated: Eugenics, Race, and Welfare in Interwar Vienna - Paul Weindling Free Dance in Interwar Vienna - Andrea Amort Hollywood on the Danube? Vienna and Austrian Silent Film of the 1920s - Alys George Between Tradition and a Longing for the Modern: Theater in Interwar Vienna - Birgit Peter The Hegemony of German Music: Schoenberg's Vienna as the Musical Center of the German-Speaking World - Therese Muxeneder Anticipating Freud's Pleasure Principle? A Reading of Ernst Weiss's War Story "Franta Zlin" (1919) - Facts and Fiction: Rudolf Brunngraber, Otto Neurath, and Viennese Neue Sachlichkeit - Jon Hughes The Viennese Legacy of Casanova: The Late Erotic Writings of Arthur Schnitzler and Franz Blei - Birgit Lang An Englishman Abroad: Literature, Politics, and Sex in John Lehmann's Writings on Vienna in the 1930s - Robert Vilain Notes on Contributors Index
Synopsis
Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. CONTRIBUTORS: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. EDITORS: Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee., Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee., New essays providing a wide-ranging cultural, social, and political picture of volatile between-the-wars Vienna., New essays providing a wide-ranging cultural, social, and political picture of volatile between-the-wars Vienna. Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city asa mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxesand often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee.
LC Classification Number
DB851.I425 2009
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