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Albums Collection Part Three: 1961-1962
US $116.44
Approximately£86.04
Condition:
New
An item that is still in its original shrink wrap from the manufacturer and the original manufacturer’s seal (if applicable) has not been removed. See the seller's listing for full details.
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Postage:
Free USPS Media MailTM.
Located in: Russellville, Arkansas, United States
Delivery:
Estimated between Mon, 11 Aug and Thu, 21 Aug to 94104
Returns:
30 days return. Buyer pays for return postage. If you use an eBay delivery label, it will be deducted from your refund amount.
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eBay item number:365592206357
Item specifics
- Condition
- Binding
- Audio CD
- Language
- English
- Book Title
- Albums Collection Part Three: 1961-1962
- UPC
- 0823564671123
About this product
Product Identifiers
Record Label
Enlt, Enlightenment
UPC
0823564671123
eBay Product ID (ePID)
26046060374
Product Key Features
Release Year
2016
Format
CD
Genre
Jazz
Artist
Red Garland
Release Title
Albums Collection Part Three: 1961-1962
Dimensions
Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Discs
4
Number of Tracks
51
Country/Region of Manufacture
United States
Tracks
On Green Dolphin Street 5:09, I Ain't Got Nobody 5:07, You'll Never Know 5:28, Blues in the Closet 4:24, What's New 4:17, Lil' Darlin' 7:22, What Is There to Say', So Sorry Please 4:06, Billie's Bounce 9:25, Crazy Rhythm 3:29, Cta 4:44, Lazy Mae 16:10, Soft Winds 13:48, Solitude 8:33, Undecided 6:53, What Is There to Say', Two Bass Hit 8:48, Sophisticated Swing 5:32, Solar 5:03, Where Are You', Marie's Delight 3:33, This Can't Be Love 4:08, The Very Thought of You 5:30, Blues for 'News 3:25, I Just Can't See for Looking 5:46, Seeing Red 7:04, Stormy Weather 7:22, Cashmere 6:46, Slenderella 7:47, Moonlight Becomes You 7:40, Roc ; Troll 7:48, Red's Good Groove 8:22, Love Is Here to Stay 4:44, This Time the Dream's on Me 5:54, Take Me in Your Arms 5:35, Excerent! 6:06, Falling in Love with Love 6:06, Why Was I Born', The Nearness of You 5:42, Where or When 6:14, Long Ago and Far Away 3:56, I Got It Bad (And That Ain't Good) 5:24, Don't Worry About Me 4:45, Lush Life 4:23, All Alone 5:03, Sonny Boy 5:15, My Honey's Lovin' Arms 3:39, St. James Infirmary 6:40, I Ain't Got Nobody 3:55, Baby Wont You Please Come Home 4:08, Nobody Knows the Trouble I See 11:59
Notes
An internationally-renowned musician thanks in no small part to his close association with the likes of Miles Davis and John Coltrane, pianist Red Garland was at his artistic peak throughout the 1950s and early 1960s. Characterised through his now much-imitated style of combining octaves with fifths in his right hand block chords, Garland maintained a healthy career throughout this period, through releases as a sideman to some of the most legendary jazz musicians of the day as well as a significant number of his own recordings as bandleader. Although he continued to tour with his group over the coming years, Red Although he had been famed for his high-profile collaborations, by the early 1960s Garland was primarily focussing on his own recordings. Rejecting the shift towards modal jazz adopted by many of his contemporaries, Garland preferred to remain in a more traditional idiom, sticking with jazz standards, blues influences and occasional nods to the previous bebop era. He continued to tweak his craft in many ways. Solar would feature a quartet with the addition guitarist and flautist Les Spann, one of very few incidences where either instrument was included on a Red Garland recording. Also released in 1962, Red's Good Groove saw his group expand to a quintet with Blue Mitchell, Pepper Adams, Sam Jones and Philly Joe Jones, the latter of whom Garland had played alongside backing Miles Davis. His final and most critically acclaimed album of the year, When There Are Grey Skies (Prestige, 1962), resulted in critic Harvey Pekar to dub Garland "one of the most important figures in recent jazz piano history." This collection is a fitting testament to the golden era of a much-overlooked artist. With over five hours of exceptional music in total, this set is a fascinating insight into how this remarkably talented individual managed to subtly become such an important influence on future generations of jazz pianists
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McKinney’s Treasure Trove
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