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Greek Art - Ancient Gold Jewellery (1st Ed) by Aikaterini Despini
by Aikaterini Despini | HC | VeryGood
US $84.00
Approximately£62.18
Condition:
“First edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. ”... Read moreAbout condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
- Buy it nowGreek Art - Ancient Gold Jewellery (1st Ed) by Aikaterini Despini
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Estimated between Tue, 29 Jul and Sat, 2 Aug to 94104
Located in: Aurora, Illinois, United States
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eBay item number:375112378931
Item specifics
- Condition
- Very Good
- Seller notes
- Binding
- Hardcover
- Edition
- First Edition
- Book Title
- Greek Art - Ancient Gold Jewellery
- Weight
- 4 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9789602133118
About this product
Product Identifiers
Publisher
Ekdotiki Athinon
ISBN-10
9602133112
ISBN-13
9789602133118
eBay Product ID (ePID)
69583750
Product Key Features
Publication Year
2006
Subject
Ancient / Greece, History / Ancient & Classical
Number of Pages
292 Pages
Language
English
Publication Name
Greek Art-Ancient Gold Jewellery
Type
Textbook
Subject Area
Art, History
Format
Hardcover
Additional Product Features
Intended Audience
College Audience
Synopsis
Jewellery appeared worldwide during the early phases of civilisation, when people, through belief in the existence of supernatural forces and magic, laid down the substrate of religion. In those times, and for many centuries after, jewellery was regarded as having the power to attract benign forces or to avert evil, functioning as a magical medium. Its association with metals was of decisive importance, not least with gold which, being imperishable and untarnishable, was the only metal charged of itself with supernatural properties. In time we put aside the magical character of jewellery, though it has never been cast off completely! By the beginning of the first millennium BC, to which the works of Greek goldsmithing discussed in this book belong, jewellery already had a long tradition behind it. Its form was often affected by the religious and metaphysical concepts of the age, as is succinctly noted in the Introduction. The manufacture of Greek gold jewellery depended on the possibility of access to the precious metal, the sources of and the techniques of working which, interwoven with myth and lore, are examined in sub-chapters. The founding of the colonies at first and the Macedonian expansion later, brought the Greeks into contact with both supplies of the raw material and traditional centres of goldsmithing, from where they also received new ornament types. These they transmuted, giving them a Greek identity, eventually creating a common language of jewellery that spread from the northern shores of the Euxine Pontus to Egypt, and from Italy to Asia. The development of jewellery is examined by category and bears witness to the influence of those same historical factors as contributed to the development of major art in the Hellenic world. Greek goldsmiths often emulated its achievements, also endowing this genre of the so-called minor arts with unique masterpieces., Jewellery appeared worldwide during the early phases of civilisation, when people, through belief in the existence of supernatural forces and magic, laid down the substrate of religion. In those times, and for many centuries after, jewellery was regarded as having the power to attract benign forces or to avert evil, functioning as a magical medium., Jewellery appeared worldwide during the early phases of civilisation, when people, through belief in the existence of supernatural forces and magic, laid down the substrate of religion. In those times, and for many centuries after, jewellery was regarded as having the power to attract benign forces or to avert evil, functioning as a magical medium. Its association with metals was of decisive importance, not least with gold which, being imperishable and untarnishable, was the only metal charged of itself with supernatural properties. In time we put aside the magical character of jewellery, though it has never been cast off completely By the beginning of the first millennium BC, to which the works of Greek goldsmithing discussed in this book belong, jewellery already had a long tradition behind it. Its form was often affected by the religious and metaphysical concepts of the age, as is succinctly noted in the Introduction. The manufacture of Greek gold jewellery depended on the possibility of access to the precious metal, the sources of and the techniques of working which, interwoven with myth and lore, are examined in sub-chapters. The founding of the colonies at first and the Macedonian expansion later, brought the Greeks into contact with both supplies of the raw material and traditional centres of goldsmithing, from where they also received new ornament types. These they transmuted, giving them a Greek identity, eventually creating a common language of jewellery that spread from the northern shores of the Euxine Pontus to Egypt, and from Italy to Asia. The development of jewellery is examined by category and bears witness to the influence of those same historical factors as contributed to the development of major art in the Hellenic world. Greek goldsmiths often emulated its achievements, also endowing this genre of the so-called minor arts with unique masterpieces., Jewellery appeared worldwide during the early phases of civilisation, when man, through his belief in the existence of supernatural forces and magic, laid down the substrate of religion. In those times, and for many centuries after, jewellery was regarded as having the power to attract benign forces or to avert evil, functioning as a magical medium. Its association with metals was of decisive importance, not least with gold which, being imperishable and untarnishable, was the only metal charged of itself with supernatural properties. In time the human intellect put aside the magical character of jewellery, though it was never cast off completely. By the beginning of the first millennium BC, to which the works of Greek goldsmithing discussed in this book belong, jewellery already had a long tradition behind it. Its form was often affected by the religious and metaphysical concepts of the age, as is succinctly noted in the Introduction. The manufacture of Greek gold jewellery depended on the possibility of access to the precious metal, the sources of and the techniques of working which, interwoven with myth and lore, are examined in sub-chapters. The founding of the colonies at first and the Macedonian expansion later, brought the Greeks into contact with both supplies of the raw material and traditional centres of goldsmithing, from where they also received new ornament types. These they transmuted, giving them a Greek identity, eventually creating a common language of jewellery that spread from the northern shores of the Euxine Pontus to Egypt, and from Italy to Asia. The development of jewellery is examined by category and bears witness to the influence of those same historical factors as contributed to the development of major art in the Hellenic world. Greek goldsmiths often emulated its achievements, also endowing this genre of the so-called minor arts with unique masterpieces.
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- v***v (2054)- Feedback left by buyer.Past monthVerified purchaseAlthough this book was not as described, with no picture of it in the listing, the seller communicated well and quickly gave me a full refund while letting me keep it. The minimal packaging left the book a bit vulnerable (typical for ThriftBooks), but it did arrive safely and timely. As usual, it’s hit or miss with this seller, but often times you can get great values, and their customer service is always very good. Many other sellers with millions of transactions don’t even communicate.
- a***r (375)- Feedback left by buyer.Past monthVerified purchasei am so happy to have every book of this series! the price of the book & the shipping is very reasonable! the book was as described & was in excellent condition! it was shipped quickly & arrived quickly! the books are always packaged carefully so they arrived undamaged! the communication from the sellers is always excellent--they go out of their way for excellent customer service! i have been a repeat customer from this seller & always will be! this seller is the best bookseller on ebay!