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Quick-eyed Love: Photography And Memory by Susan Garrett

by Susan Garrett | HC | VeryGood
US $8.68
ApproximatelyΒ£6.53
Condition:
Very Good
β€œMissing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ”... Read moreAbout condition
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Last updated on 14 Apr, 2025 05:46:23 BSTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
β€œMissing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ...
Binding
Hardcover
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780870745010

About this product

Product Identifiers

Publisher
Southern Methodist University Press
ISBN-10
0870745018
ISBN-13
9780870745010
eBay Product ID (ePID)
46897395

Product Key Features

Book Title
Quick-Eyed Love : Photography and Memory
Number of Pages
216 Pages
Language
English
Publication Year
2005
Topic
Individual Photographers / General, General
Illustrator
Yes
Genre
Photography, Biography & Autobiography
Author
Susan Garrett
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
16.8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2005-051578
Reviews
A lovely book. The prose is delicate and sure-footed, the insights startling, and the indirect, sly manner of the narrator serves to complicate our judgments. The alternating of focus between a personal memoir and a meditation on the history of photography is unusual; the two parts reinforce each other. It is original, beautifully written, humorous, cultivated, and moving.
Dewey Edition
22
Dewey Decimal
770
Synopsis
In her memoir, Susan Garrett brings together key scenes from her girlhood in Pennsylvania during World War II with the art and craft of photography. She describes living with her irascible, social-climbing grandmother while her mother pieced together a living taking pictures of the children of the wealthy inhabitants of the Main Line, an elite suburban enclave of Philadelphia. Her mother, Alice Benedict, was one of the few women photographers of her daya student and protege of Alfred Stieglitz. Garrett sketches the science and history of photography, populating her narrative with legendary figures like Margaret Bourke-White, a bold contemporary of her mother and with whom Susan sensed her mother s veiled competitiveness; pioneers of photography like Henri Cartier-Bresson, Daguerre, and Fox Talbot; and writers like Susan Sontag, whose work ponders the meaning and ethical responsibility of taking photographs of tragic events. Garrett also writes of unknown photographers and ordinary people who captured her imagination as a sensitive young girlsuch as the Japanese man who taught her how to dry a stack of dishes, who later was sent away on a tip from her mother, most likely to an internment camp.", In her memoir, Susan Garrett brings together key scenes from her girlhood in Pennsylvania during World War II with the art and craft of photography. She describes living with her irascible, social-climbing grandmother while her mother pieced together a living taking pictures of the children of the wealthy inhabitants of the Main Line, an elite suburban enclave of Philadelphia. Her mother, Alice Benedict, was one of the few women photographers of her day--a student and protΓ©gΓ© of Alfred Stieglitz. Garrett sketches the science and history of photography, populating her narrative with legendary figures like Margaret Bourke-White, a bold contemporary of her mother and with whom Susan sensed her mother's veiled competitiveness; pioneers of photography like Henri Cartier-Bresson, Daguerre, and Fox Talbot; and writers like Susan Sontag, whose work ponders the meaning and ethical responsibility of taking photographs of tragic events. Garrett also writes of unknown photographers and ordinary people who captured her imagination as a sensitive young girl--such as the Japanese man who taught her how to dry a stack of dishes, who later was sent away on a tip from her mother, most likely to an internment camp.
LC Classification Number
TR653.G386 2005

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