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Art History After Modernism by Belting, Hans
by Belting, Hans | PB | VeryGood
US $7.67
Approximately£5.63
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreAbout condition
Very Good
A book that has been read and does not look new, but is in excellent condition. No obvious damage to the book cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins. Some identifying marks on the inside cover, but this is minimal. Very little wear and tear. See the seller’s listing for full details and description of any imperfections.
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eBay item number:376088456318
Item specifics
- Condition
- Very Good
- Seller notes
- Binding
- Paperback
- Book Title
- Art History After Modernism
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780226041858
About this product
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226041859
ISBN-13
9780226041858
eBay Product ID (ePID)
1745118
Product Key Features
Number of Pages
236 Pages
Language
English
Publication Name
Art History after Modernism
Subject
Criticism & Theory, General, History / General
Publication Year
2003
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
12.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-006547
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
709/.04/5
Table Of Content
I - Modernism in the Mirror of Contemporary Culture 1. Epilogues for Art or for Art History? 2. The Meaning of Art History in Today's Culture 3. Art Criticism versus Art History 4. The Unwelcome Heritage of Modernism: Style and History 5. The Late Cult of Modernism: Documenta and Western Art 6. Western Art: The Intervention of the United States in Postwar Modernism 7. Europe: East and West at the Watershed of Art History 8. Global Art and Minorities: A New Geography of Art History 9. The Mirror of Mass Culture: Art's Revolt against Art History 10. The Temporality of Video Art 11. The Narrative of Art in the New Museum: The Search for a Profile II - The End of Art History? 12. Art and the Crisis of Modernism 13. Art Historiography as Tradition 14. Methods and Games of an Academic Discipline 15. Work of Art or History of Art? 16. Art History versus Media Studies 17. The Myth of Modernism in the Mirror of Art History 18. Postmodernism or Posthistory? 19. "Prospero's Books" 20. Marco Polo and Other Cultures Bibliography Index
Synopsis
"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all . So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art? . "Known for his striking and original theories about the nature of art," according to the Economist , Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues--the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum--and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism , Belting retains his place as one of the most original thinkers working in the visual arts today., "Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all . So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art? . "Known for his striking and original theories about the nature of art," according to the Economist , Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues-the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum-and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism , Belting retains his place as one of the most original thinkers working in the visual arts today.
LC Classification Number
N380.B4413 2002
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