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Who Hears Here? : On Black Music, Pasts and Present, Hardcover by Ramsey, Gut...

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US $101.51
Approximately£76.44
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eBay item number:385890746892
Last updated on 20 Sep, 2024 13:05:23 BSTView all revisionsView all revisions

Item specifics

Condition
Like New: A book that has been read, but looks new. The book cover has no visible wear, and the dust ...
ISBN
9780520281837
Book Title
Who Hears Here? : on Black Music, Pasts and Present
Book Series
Phono: Black Music and the Global Imagination Ser.
Publisher
University of California Press
Item Length
9 in
Publication Year
2022
Format
Hardcover
Language
English
Item Height
1 in
Author
Guthrie P. Ramsey
Genre
Music, Social Science
Topic
History & Criticism, Ethnic Studies / African American Studies
Item Weight
19.2 Oz
Item Width
6 in
Number of Pages
310 Pages

About this product

Product Identifiers

Publisher
University of California Press
ISBN-10
0520281837
ISBN-13
9780520281837
eBay Product ID (ePID)
17057244993

Product Key Features

Book Title
Who Hears Here? : on Black Music, Pasts and Present
Number of Pages
310 Pages
Language
English
Publication Year
2022
Topic
History & Criticism, Ethnic Studies / African American Studies
Genre
Music, Social Science
Author
Guthrie P. Ramsey
Book Series
Phono: Black Music and the Global Imagination Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
19.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

LCCN
2022-010756
Dewey Edition
23
Reviews
The book stands as a testament to [Guthrie's] commitment. His 14 essays capture a range of perspectives and musical styles as he traces the history of Black music from the Civil War through to the work of one of the brightest stars currently on the scene, Robert Glasper. Ramsey brings a depth and an essential understanding to the discussion of American popular music.
Series Volume Number
1
Afterword by
Redmond, Shana L.
Dewey Decimal
780.8996073
Table Of Content
Contents Foreword by Tammy L. Kernodle Acknowledgments Introduction: Who Hears Here Now? 1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940 2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade 3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies 4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture 5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music 6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde 7. Bebop, Jazz Manhood, and "Piano Shame" 8. Blues and the Ethnographic Truth 9. Time Is Illmatic: A Song for My Father, A Letter to My Son 10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in Robert Glasper's Black Radio 11. Free Jazz and the Price of Black Musical Abstraction 12. Jack Whitten's Musical Eye 13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry 14. African American Music Onward: An Afterword by Shana L. Redmond Notes Index
Synopsis
Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist whose prescient theoretical and critical interventions have bridged Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip-hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to readers to continue to ask the hard questions and write the hard truths.
LC Classification Number
ML3556.R323 2022

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