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About this product
Product Identifiers
PublisherMuseum of New Mexico Press
ISBN-100890136793
ISBN-139780890136799
eBay Product ID (ePID)14061234308
Product Key Features
Book TitleBlurred Boundaries : Perspectives on Rock Art of the Greater Southwest
Number of Pages232 Pages
LanguageEnglish
Publication Year2023
TopicArchaeology, General, Subjects & Themes / Landscapes, Pictorials (See Also Photography / Subjects & Themes / Regional)
IllustratorYes
GenreTravel, Social Science, Photography
AuthorWilliam Frej
FormatHardcover
Dimensions
Item Height1.3 in
Item Weight82.3 Oz
Item Length11 in
Item Width12 in
Additional Product Features
LCCN2023-935897
Dewey Edition23
Dewey Decimal779.97590113
SynopsisBest Photography Book, National Indies Excellence Awards Juror's Choice Award in Photography, National Indies Excellence Awards Oliver Award for Excellence in Rock Art Photography, American Rock Art Research Association Finalist, General Trade Non-Fiction, Reading the West (Mountains and Plains Independent Booksellers Association) Bronze Medal, Nature Category, IPPY Awards Honorable Mention, Nature Category, 2023, Indie Book Awards Gold Medal Recipient in Books for the Budapest International Foto Awards 2023 Gold Medal Recipient in Books for the Tokyo International Foto Awards 2023 Independent Press Award "Distinguished Favorite" (Nature category) 2024 Enigmatic rock art featuring a myriad of symbols and designs can be found throughout remote and arid landscapes of the Greater Southwest, from the Four Corners region of the American West to the Baja California peninsula in Mexico. This vast gallery of ancient art offers intriguing questions. Who created these images on stone and what were their motivations? What do they mean? Are they to be taken literally or might they stand for something else? In this book, William Frej's powerful black and white photographs of rock art in the American Southwest and Baja California provide the opportunity to explore this diverse and mysterious imagery--and to ponder these questions. By framing these images on stone by the expansive landscapes in which they are found, his photographs emphasize the importance of their settings. The accompanying photo captions by noted rock art scholar Polly Schaafsma present clues to the symbolic content of these stone murals. Her essay, "Blurred Boundaries," addresses the ambiguities latent in their complex meanings. To illustrate, Schaafsma addresses several elements of the visual vocabulary of rock art in the region-the spiral, stepped clouds, depictions of the human form, animals, and shields. Schaafsma notes that rock art can be viewed from many perspectives and she suggests that we move beyond Western philosophy to consider an animistic universe in which all things are sacred. In the foreword Frank Graziano also emphasizes how our own beliefs and perceptions influence the way we experience rock art. Rock art is more than a static reminder of the faraway past. The images continue to impact us even today, no matter what our perspective.