Intended Audience
Trade
LCCN
91-050024
Reviews
"A remarkable book, at once outrageous and compelling, fanatical and brilliant....One must be awed by [Paglia's] vast energy, erudition and wit"--Washington Post Book World
Dewey Edition
21
CLASSIFICATION_METADATA
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Dewey Decimal
704.9/428
Table Of Content
List of Illustrations Preface Acknowledgments Chapter 1 Sex and Violence, or Nature and Art Chapter 2 The Birth of the Western Eye Chapter 3 Apollo and Dionysus Chapter 4 Pagan Beauty Chapter 5 Renaissance Form: Italian Art Chapter 6 Spenser and Apollo: The Faerie Queene Chapter 7 Shakespeare and Dionysus: As You Like It and Antony and Cleopatra Chapter 8 Return of the Great Mother: Rousseau vs. Sade Chapter 9 Amazons, Mothers, Ghosts: Goethe to Gothic Chapter 10 Sex Bound and Unbound: Blake Chapter 11 Marriage to Mother Nature: Wordsworth Chapter 12 The Daemon as Lesbian Vampire: Coleridge Chapter 13 Speed and Space: Byron Chapter 14 Light and Heat: Shelley and Keats Chapter 15 Cults of Sex and Beauty: Balzac Chapter 16 Cults of Sex and Beauty: Gautier, Baudelaire, and Huysmans Chapter 17 Romantic Shadows: Emily Bronte Chapter 18 Romantic Shadows: Swinburne and Pater Chapter 19 Apollo Daemonized: Decadent Art Chapter 20 The Beautiful Boy as Destroyer: Wilde's The Picture of Dorian Gray Chapter 21 The English Epicene: Wilde's The Importance of Being Earnest Chapter 22 American Decadents: Poe, Hawthorne, Melville Chapter 23 American Decadents: Emerson, Whitman, James Chapter 24 Amherst's Madame de Sade: Emily Dickinson Notes Index
Synopsis
Here is the fiery, provocative, and unparalleled work of feminist art criticism that launched Camille Paglia's exceptional career as one of our most important public intellectuals. Is Emily Dickinson "the female Sade"? Is Donatello's David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists--as well as conservatives--fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty--making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. 47 photographs., The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals--"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" ( The Washington Post). Is Emily Dickinson "the female Sade"? Is Donatello's David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists--as well as conservatives--fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty--making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. With 47 photographs.
ebay_catalog_id
4
Copyright Date
1991