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The Personal Camera: Subjective Cinem... by Laura Rascaroli Paperback / softback

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Item specifics

Condition
Very Good: A book that has been read and does not look new, but is in excellent condition. No ...
ISBN
1906660123
EAN
9781906660123
Date of Publication
2009-10-30
Release Title
The Personal Camera: Subjective Cinema and the Essay Film (Non...
Artist
Laura Rascaroli
Brand
N/A
Colour
N/A
Book Title
The Personal Camera: Subjective Cinema and the Essay Film (Non...

About this product

Product Identifiers

Publisher
WallFlower Jeans Press
ISBN-10
1906660123
ISBN-13
9781906660123
eBay Product ID (ePID)
71724739

Product Key Features

Number of Pages
224 Pages
Publication Name
Personal Camera : Subjective Cinema and the Essay Film
Language
English
Subject
Film / General, Film / History & Criticism
Publication Year
2009
Type
Textbook
Subject Area
Performing Arts
Author
Laura Rascaroli
Series
Nonfictions Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
13 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
Rascaroli's text is one of impressive intellectual rigor and of utter importance to the study of an ever-changing form - subjective cinema - and of filmmaking at large., Rascaroli's text is one of impressive intellectual rigor and of utter importance to the study of an ever-changing form -- subjective cinema -- and of filmmaking at large.
TitleLeading
The
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43
Synopsis
The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms--the diary, the travelogue, the notebook and the self-portrait--is cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. This study provides a unique insight into an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and Agn s Varda., The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms--the diary, the travelogue, the notebook and the self-portrait--is cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. This study provides a unique insight into an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and Agnés Varda.
LC Classification Number
PN1995.9

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