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Medieval Clothing and Textiles 9 by Robin Netherton (English) Hardcover Book

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US $112.59
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Item specifics

Condition
New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9781843838562
Book Title
Medieval Clothing and Textiles 9
ISBN
9781843838562
Subject Area
Design, History
Publication Name
Medieval Clothing and Textiles 9
Publisher
Boydell & Brewer, The Limited
Item Length
9.2 in
Subject
Textile & Costume, Fashion & Accessories, Europe / Western, Europe / Medieval
Publication Year
2013
Series
Medieval Clothing and Textiles Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.5 in
Author
John Block Friedman
Item Weight
13 Oz
Item Width
6.1 in
Number of Pages
182 Pages

About this product

Product Identifiers

Publisher
Boydell & Brewer, The Limited
ISBN-10
1843838567
ISBN-13
9781843838562
eBay Product ID (ePID)
160029032

Product Key Features

Number of Pages
182 Pages
Language
English
Publication Name
Medieval Clothing and Textiles 9
Publication Year
2013
Subject
Textile & Costume, Fashion & Accessories, Europe / Western, Europe / Medieval
Type
Textbook
Subject Area
Design, History
Author
John Block Friedman
Series
Medieval Clothing and Textiles Ser.
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Weight
13 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2013-431667
Dewey Edition
23
Reviews
A well chosen selection of articles...continuing the high standard we have come to expect from this publication. TEXT The strength of this volume lies in how the articles draw together disparate scholars' work, presenting vignettes of research for wider consumption. PARERGON Essential reading not only for those interested in historic costumes and textiles but also for those with a wider interest in medieval history. MEDIEVAL ARCHAEOLOGY
Series Volume Number
9
Illustrated
Yes
Volume Number
9
Dewey Decimal
391.00902
Table Of Content
PrefaceBridal Gifts in Medieval Bari - Antonietta Amati CantaThe Marriage of the Year [1028] - Lucia SinisiClothing as Currency in Pre-Norman Ireland? - Mark ZumbühlCistercian Clothing and Its Production at Beaulieu Abbey, 1269-70 - John OldlandClothing and Textile Materials in Medieval Sweden and Norway - Eva I. AnderssonThe Iconography of Dagged Clothing and Its Reception by Moralist Writers - John Block FriedmanDomestic Painted Cloths in Sixteenth-Century England: Imagery, Placement, and Ownership - Susan E. JamesRecent Books of InterestContents of Previous Volumes
Synopsis
Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution.Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century.Robin Netherton is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; Gale R. Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester.Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl, The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl, The best new research on medieval clothing and textiles, drawing from a range of disciplines.Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhlth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhlth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhlth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl
LC Classification Number
GT575

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