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Film and Video Editing Theory : How Editing Creates Meaning, Paperback by Fri...
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Item specifics
- Condition
- Book Title
- Film and Video Editing Theory : How Editing Creates Meaning
- ISBN
- 9781138202078
About this product
Product Identifiers
Publisher
Routledge
ISBN-10
113820207X
ISBN-13
9781138202078
eBay Product ID (ePID)
16038451076
Product Key Features
Number of Pages
328 Pages
Publication Name
Film and Video Editing Theory : How Editing Creates Meaning
Language
English
Publication Year
2018
Subject
Film / General, Film / Direction & Production, Film & Video
Type
Textbook
Subject Area
Art, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
21.7 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-045970
Reviews
"The book includes photographs of the scenes analyzed, and best of all, a link to a website where the reader can actually view the scenes." -- Conrad J. Obregon, Vine Voice
Illustrated
Yes
Table Of Content
1. Herbert Zettl, Approaches to Building Screen Space and Vectors 2. No ë l Burch, PMR versus the IMR and Continuity Editing in a 5 x 3 Matrix 3. Hollywood Theorists: Edward Dmytryk and Walter Murch 4. David Bordwell, the Narrative Functions of Continuity Editing and Intensified Continuity 5. Eisenstein and Montage 6. Realism and André Bazin 7. Dream and Ritual: Andrei Tarkovsky and Maya Deren 8. Rhythmic and Graphic Editing
Synopsis
Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don't work., Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and No l Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don't work., A Primer on Film and Video Editing Theory offers an accessible, introductory guide to the issues underlying how editing creates meaning. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl and Noel Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don't work. A companion website offers further resources, including video clips that readers can download and experiment with to illustrate specific editing concepts.
LC Classification Number
TR899.F75 2018
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