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AUDIO OBSCURA ACID FIELD RECORDINGS IN DUB NEW LP

InnerSleeve Music
(717772)
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US $49.91
Approximately£36.75
Condition:
New
2 available
Breathe easy. Returns accepted.
Postage:
Free Standard Shipping.
Located in: North Carolina, United States
Delivery:
Estimated between Mon, 4 Aug and Sat, 9 Aug to 94104
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30 days return. Buyer pays for return postage. If you use an eBay delivery label, it will be deducted from your refund amount.
Payments:
    Diners Club

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eBay item number:395418253823
Last updated on 24 Jul, 2025 17:17:31 BSTView all revisionsView all revisions

Item specifics

Condition
New: A brand-new, unused, unopened and undamaged item. See the seller's listing for full details. See all condition definitionsopens in a new window or tab
UPC
5060911680710

About this product

Product Identifiers

Record Label
Subexotic, Sbxc
UPC
5060911680710
eBay Product ID (ePID)
5071197267

Product Key Features

Release Year
2024
Format
Record
Genre
Dance
Artist
Audio Obscura
Release Title
Acid Field Recordings in Dub

Dimensions

Item Height
0.17 in
Item Weight
0.52 lb
Item Length
12.35 in
Item Width
10.58 in

Additional Product Features

Number of Tracks
8
Tracks
1.1 Through Nuclear Skies 1.2 Gravity Fields 1.3 Babyloniacid 1.4 Hollowlands 1.5 Coasting 1.6 The Last Day of August Felt Like the First Day of Autumn 1.7 Song for the Last Cartographer 1.8 Soma
Number of Discs
1
Notes
Audionaut sound adventurer Neil Stringfellow (aka Audio Obscura) makes a welcome return to Subexotic with his many-splendoured mixed media project Acid Field Recordings In Dub. Following years of avid field recording, Neil explains how it came about through a series of epiphanies: "It sort of started after I did a field recording introduction weekend workshop with the legend that is Chris Watson (the BBC wildlife team and ex-Cabaret Voltaire), just in terms of it being very inspirational and meeting like minded people. I've been sound recording for about 12 years now and have a good archive of sounds, and simply enjoy just listening and capturing the world. Since then over the years I've learned to really listen to the everyday soundscapes and as such I no longer walk down the street listening to a personal stereo anymore, the world can often be more exciting than music. A few memories of listening stick out which really helped form this album. I was walking up a hill in Norwich and a street cleaner was coming down pushing his cart, the broom attached to the cart but one end was bouncing up and down in the exact way a snare drum in a Dub reggae record might sound with the dub echo effect.. for a few seconds it was amazing and I stopped and stood still and just savoured the moment but of course did not have a microphone with me. Another time recording the dawn chorus in Lowestoft the chirping birds sounded intense coming from different trees and walking between the trees seemed to make the classic 303 acid squelch sound. Part of this is in the middle section of the Babyloniacid track. Another time I was recording in a forest after a storm sitting under thick trees trying to keep the mics dry and the wind blowing the tops of the trees was like a swooshing synth line. I always liked the moments when the soundscapes felt like music and over time had a desire to marry music and field sounds together. Things really came together though when in summer 2022 I had a minor operation and was resting in bed after the operation, high on painkillers feeling quite spaced out. It was in the middle of a heat wave and the nurses had opened the ward windows, it was evening and I could see pink clouds but the sunset was out of view. I'd been listening to the Eno / Harmonia album and after that ended, I put on some Burial. I just lay there watching the clouds and the title Acid Field Recordings In Dub just came into my head... I could hear how the concept should be: made with field recordings, manipulating them and creating ambient soundscapes... dubby beats fractured in places and snatches of the acid 303. This is more or less what I wrote down that day and a few weeks later I started to create it... The process came easy and at first, I thought I'd need to spend some time making new extra field recordings but, to be honest, I has such an archive I pulled most of the sounds from that." Music, electronics & field recording by Neil Stringfellow. Design & mastering by Dan Seville. Test siren on 'Through Nuclear Skies' recorded by Marc Weidenbaum. Melodica on 'Hollowlands' played by Simon McCorry. Genre: Electronic

Item description from the seller

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About this seller

InnerSleeve Music

97.6% positive Feedback•1.8M items sold

Joined Apr 2006
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Registered as a business seller
Here at InnerSleeve, we are passionate about vinyl records. We offer thousands of unique records for sale. All records are sealed and brand new from licensed distributors. As avid collectors ...
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    An amazing experience with this seller. My Item arrived early, which is rare, and was very well packaged for it's trip through the mail. The price was perfect. The item I received was in the exact condition as stated in the listing. Maybe best of all was that the seller was very communicative when I had questions about the item. I wouldn't hesitate to order from them again in the future!
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    Very Amazing .. Received as DESCRIBED BRAND NEW SEALED .. Super Great Saller Communication .. Great Safe Packaging .. Super Fast Shipping .. Received With 2 weeks Only .. Highly Recommended Saller EBAY A ++ ... High Quality For Everything .. Thanks for Everything ..
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    Item was as advertised & arrived well packaged. As many other reviewers stated, it took a week to get tracking information, then 6 more days before the shipping company (DHL, in this case) received the item, and then just one day to be delivered. The listing estimated delivery between 3-8 days; it took 14. No correspondence in the meantime. I'd checked the seller's feedback before ordering, however, so I expected it. If you can wait a couple weeks to receive your order, this seller is fine.
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