Music in Theory and Practice Volume 2 Spiral Bruce, Saker, Marily

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Item specifics

Condition
Good
A book that has been read, but is in good condition. Minimal damage to the book cover eg. scuff marks, but no holes or tears. If this is a hard cover, the dust jacket may be missing. Binding has minimal wear. The majority of pages are undamaged with some creasing or tearing, and pencil underlining of text, but this is minimal. No highlighting of text, no writing in the margins, and no missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“Used book that is in clean, average condition without any missing pages. 100% Money-Back Guarantee.”
Book Title
Music in Theory and Practice Volume 2 Spiral Bruce, Saker, Marily
ISBN
9780077493325
Category

About this product

Product Identifiers

Publisher
Mcgraw-Hill Education
ISBN-10
007749332X
ISBN-13
9780077493325
eBay Product ID (ePID)
26038303150

Product Key Features

Number of Pages
384 Pages
Language
English
Publication Name
Music in Theory and Practice Volume 2
Subject
Instruction & Study / Theory
Publication Year
2014
Type
Textbook
Subject Area
Music
Author
Bruce Benward, Marilyn Saker
Format
Spiral

Dimensions

Item Height
0.8 in
Item Weight
24.3 Oz
Item Length
10.7 in
Item Width
8.9 in

Additional Product Features

Edition Number
9
Intended Audience
College Audience
Dewey Edition
22
Grade From
College Freshman
Illustrated
Yes
Volume Number
Vol. II
Dewey Decimal
781
Grade To
College Freshman
Table Of Content
Preface Part A: The Renaissance And Baroque Periods Chp. 1: Late Renaissance Polyphony Chp. 2: Two-Voice Eighteenth Century Counterpoint Chp. 3: The Fugue Part B: Chromatic Harmony Chp. 4: Borrowed Chords Chp. 5: Neapolitan 6th Chords Chp. 6: Augmented 6th Chords Part C: The Classical Period (1750-1825 Chp. 7: Variation Technique Chp. 8: Sonata Form Chp. 9: Rondo Forms Part D: Extended And Chromatic Harmony Chp. 10: 9th,11th, and 13th Chords Chp. 11: Altered Dominants Chp. 12: Chromatic Mediants Part E: The Nineteenth And Twentieth Centuries Chp. 13: The Romantic Period (1825-1900) Chp. 14: The Post-Romantic Style Chp. 15: Impressionism and Related Styles Chp. 16: The Early Twentieth Century Chp. 17: Pitch-Class Set Theory Chp. 18: Twelve-Tone Technique Postlude: Music Since 1945 Appendixes Glossary Credits Index
Synopsis
This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.

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