The Curatorial 9781474229210

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254172721551

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Last updated on 15 Jan, 2021 10:23:28 GMT View all revisions

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Item specifics

Condition:

New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the seller's listing for full details. See all condition definitions– opens in a new window or tab ... Read moreabout the condition

Format:

Paperback

ISBN:

9781474229210

Publisher:

Bloomsbury Publishing

Release Date:

26/02/2015

Language:

English

Studio:

Bloomsbury Academic

EAN:

9781474229210

Publication Date:

26/02/2015

UPC:

Does Not Apply

Edition:

Reprint

Brand:

Bloomsbury Academic

Type:

Paperback

MPN:

Does Not Apply

About this product

Product Identifiers
Publisher	Bloomsbury Academic, Bloomsbury Publishing
ISBN-10	1474229212
ISBN-13	9781474229210
eBay Product ID (ePID)	212952102

Product Key Features
Format	Paperback
Language	English

Dimensions
Weight	393g
Width	156mm
Height	234mm

Additional Product Features
Subjects	The Arts
Place of Publication	London
Genre	The Arts: General & Reference
Pagination	280
Content Note	5 Illus
Author Biography	Jean-Paul Martinon is Programme Leader of the MPhil/PhD in Visual Cultures and Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London, UK.
Country of Publication	United Kingdom
Table of Contents	Notes on Contributors List of Illustrations Preface Irit Rogoff (Goldsmiths College, UK) and Jean-Paul Martinon(Goldsmiths College, UK) Introduction Jean-Paul Martinon (Goldsmiths College, UK) Part I: Send-Offs 1. On the Curatorial, From the Trapeze Raqs Media Collective 2. Theses in the Philosophy of Curating Jean-Paul Martinon (Goldsmiths College, UK) 3. Whence the Future? Alfredo Cramerotti (University of Wales, UK) 4. The Expanded Field Irit Rogoff (Goldsmiths College, UK) 5. Dear Art,Yours Sincerely Natasa Ilic (WHW, Croatia and Germany) Part II: Praxeologies 6. The Curator Crosses the River: A Fabulation Stefan Nowotny (Goldsmiths College, UK) 7. Becoming-Curator Suzana Milevska (Institute of Gender Studies, Macedonia)8. An Exhausted Curating Leire Vergara (Goldsmiths College, UK and University of the Basque Country, Spain) 9. Eros, Plague, Olfaction: Three Allegories of the Curatorial Jenny Doussan (Goldsmiths College, UK) Part III: Moves 10. The Task at Hand: Transcending the Clamp of Sovereignty Ariella Azoulay (Brown University, USA) 11. The Simple Operator Sarah Pierce (Sandberg Institute, The Netherlands) 12. Three Short Takes on the Curatorial Doreen Mende (Dutch Art Institute, The Netherlands) 13. Aku menjadi saksi kepada / What I am Thinking Roopesh Sitharan (University of Santa Cruz, USA) 14. Betrayal and the Curatorial Joshua Simon (Museum of Bat Yam, Israel and New School, NY, USA) Part IV: Heresies 15. A Conspiracy Without a Plot Stefano Harney (Singapore Management University, Singapore) and Valentina Desideri 16. What does a Question Do? Micropolitics and Art Education Susan Kelly (Goldsmiths College, UK) 17. Being Able to Do Something Nora Sternfeld (Aalto University, Finland) 18. The Politics of Residual Fun Valeria Graziano (Queen Mary University, UK) Part V: Refigurations 19. Modern Art: Its Very Idea Helmut Draxler (Merz Academy, Germany) 20 Two Invoking Media: Radio and Exhibition Jean-Louis Deotte (University of Paris, France) 21. In Unfamiliar Terrain Anshuman Dasgupta (Visva-Bharati University, India) 22. Curating Ghostly Objects Cihat Arinc 23. Non-Museums Adnan Madani (Goldsmiths College, UK) Part VI: Stages 24. Curating, Dramatization, and the Diagram Bridget Crone(Goldsmiths College, UK) 25. Curating Context Aneta Szylak(Copenhagen University, Denmark and Goldsmiths, UK) 26. Backstage and Processuality Ines Moreira(Goldsmiths College, UK) 27. This is Not About Us Je Yun Moon(Goldsmiths College, UK) Coda The Curatorial Charles Esche (University of the Arts, London, UK) Bibliography Index
Spine	15mm
Date of Publication	26/02/2015
Edited by	Jean-Paul Martinon

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Barraca Limited

44 Springfauld Way

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Glasgow (City of)

G78 2BW

United Kingdom

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