Popular Music in Brazil : Identity, Genres and Industry by Martha Tupinambá de Ulhôa, Renato Pereira Torres Borges and Leonardo De Marchi (2024, Hardcover)
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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-101009565249
ISBN-139781009565240
eBay Product ID (ePID)10068563871
Product Key Features
Book TitlePopular Music in Brazil : Identity, Genres and Industry
Publication Year2024
TopicHistory & Criticism, General
Number of Pages75 Pages
LanguageEnglish
IllustratorYes
GenreMusic
AuthorMartha Tupinambá De Ulhôa, Renato Pereira Torres Borges, Leonardo De Marchi
Book SeriesElements in Popular Music Ser.
FormatHardcover
Additional Product Features
LCCN2024-029235
Dewey Edition23
Dewey Decimal781.640981
Table Of ContentOverture; 1. Building the idea of popular and the music market in Brazil; 2. The social construction of music as popular and Brazilian: aesthetics, ideology, and politics (1920-2000); 3. Globalization and musical diversity; Coda; References.
SynopsisThe Element outlines an overview of popular music in Brazil, from the nineteenth century to the beginning of the twenty-first century. An idea of 'popular music' was consolidated from being associated with rural musical performances of oral tradition to the recorded urban musical genres that were established through radio and television., This Element outlines an overview of popular music made in Brazil, from the nineteenth century to the beginning of the twenty-first century. Initially addressing the definition of the 'popular' category, discussion then follows on the ways a Brazilian music identity was built after the country's independence in 1822 until the end of the 1920s. An idea of 'popular music' was consolidated throughout the twentieth century, from being associated with rural musical performances of oral tradition to the recorded urban musical genres that were established through radio and television. After exploring the world of mass popular music, the relationships between traditional and modern, the topics of cultural diversity, multiculturalism, and the impact of digitalization, as well as the musical kaleidoscope of the twenty-first century, the Element ends with an insight into music genres in the era of digital platforms.