Roman Frescoes from Boscoreale : The Villa of Plubius Fannius Synistor in Reality and Virtual Reality by Stefano De Caro, Bettina Bergmann, Rudolf Meyer and Joan R. Mertens (2010, Trade Paperback)
Fashion Librarian (318)
100% positive Feedback
Price:
US $40.00
Approximately£29.53
+ $21.09 postage
Estimated by Mon, 30 Jun - Wed, 9 JulEstimated delivery Mon, 30 Jun - Wed, 9 Jul
Returns:
30 days return. Buyer pays for return postage. If you use an eBay delivery label, it will be deducted from your refund amount.
Condition:
NewNew
When Mount Vesuvius erupted in a.d. 79, burying much of the region around the Bay of Naples in lava, one of the extraordinary Roman villas thereby preserved was that of P. Fannius Synistor at Boscoreale.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
About this product
Product Identifiers
PublisherYale University Press
ISBN-100300155190
ISBN-139780300155198
eBay Product ID (ePID)103008946
Product Key Features
Book TitleRoman Frescoes from Boscoreale : The Villa of Plubius Fannius Synistor in Reality and Virtual Reality
Number of Pages48 Pages
LanguageEnglish
TopicCollections, Catalogs, Exhibitions / Permanent Collections, Ancient / Rome, History / Ancient & Classical
Publication Year2010
IllustratorYes
GenreArt, History
AuthorStefano De Caro, Bettina Bergmann, Rudolf Meyer, Joan R. Mertens
FormatTrade Paperback
Dimensions
Item Height0.2 in
Item Weight14 Oz
Item Length11 in
Item Width8.3 in
Additional Product Features
Intended AudienceTrade
LCCN2010-019144
Dewey Edition22
Dewey Decimal751.7/30937725
SynopsisWhen Mount Vesuvius erupted in a.d. 79, burying much of the region around the Bay of Naples in lava, one of the extraordinary Roman villas thereby preserved was that of P. Fannius Synistor at Boscoreale. Its discovery in 1899 revealed breathtaking wall paintings that were dispersed in 1903, with major portions acquired by The Metropolitan Museum of Art. The cleaning and reinstallation of these masterpieces has occasioned the creation of a virtual model that for the first time has allowed the authors to situate the surviving frescoes from the villa in their original relation to each other.