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Bloomsbury Handbooks Ser.: Bloomsbury Handbook to the Digital Humanities by James O'Sullivan (2024, Trade Paperback)
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About this product
Product Identifiers
PublisherBloomsbury Publishing
ISBN-101350452572
ISBN-139781350452572
eBay Product ID (ePID)11063179596
Product Key Features
Number of Pages512 Pages
LanguageEnglish
Publication NameBloomsbury Handbook to the Digital Humanities
Publication Year2024
SubjectModern / 21st Century, General, Semiotics & Theory
TypeTextbook
AuthorJames O'sullivan
Subject AreaLiterary Criticism, Drama, Education
SeriesBloomsbury Handbooks Ser.
FormatTrade Paperback
Dimensions
Item Height1.4 in
Item Weight36.1 Oz
Item Length9.6 in
Item Width7.4 in
Additional Product Features
Intended AudienceCollege Audience
Dewey Edition23
Reviews"Presents contributions about a wide range of topics, showing how digital humanities has matured and how it still pushes the boundaries in academia. A lot of attention is given to the difficulties, discussions, and other aspects of its 'dark side'. Greatly recommended!" -- Karina van Dalen-Oskam, Professor of Computational Literary Studies, University of Amsterdam, the Netherlands "This remarkably varied collection of provocations, orientations, and reflections will be as useful for teaching as it will for spurring dialogue among those already immersed in digital humanities. A landmark and a valuable resource." -- Julia Flanders, Professor of English and Director of the Digital Scholarship Group, Northeastern University, USA
TitleLeadingThe
IllustratedYes
Dewey Decimal025.060013
Table Of ContentReconsidering the Present and Future of the Digital Humanities James O''Sullivan I. Perspectives & Polemics Normative Digital Humanities Johanna Drucker The Peripheries and Epistemic Margins of Digital Humanities Domenico Fiormonte & Gimena del Rio Riande Digital Humanities Outlooks Beyond the West Langa Khumalo & Titilola Aiyegbusi Postcolonial Digital Humanities Reconsidered Roopika Risam Race, Otherness, and the Digital Humanities Rahul K. Gairola Queer Digital Humanities Jason Boyd & Bo Ruberg Feminist Digital Humanities Amy E. Earhart Multilingual Digital Humanities Pedro Nilsson-Fernàndez & Quinn Dombrowski Digital Humanities and/as Media Studies Abigail Moreshead & Anastasia Salter Autoethnographies of Mediation Julie M. Funk & Jentery Sayers The Dark Side of DH James Smithies II. Methods, Tools & Techniques Critical Digital Humanities David M. Berry Does Coding Matter for Doing Digital Humanities? Quinn Dombrowski The Present and Future of Encoding Text(s) James Cummings On Computers in Text Analysis Joanna Byszuk The Possibilities and Limitations of Natural Language Processing for the Humanities Alexandra Schofield Analysing Audio/Visual Data in the Digital Humanities Taylor Arnold & Lauren Tilton Social Media, Research, and the Digital Humanities Naomi Wells Spatializing the Humanities Stuart Dunn Visualising Humanities Data Shawn L. Day III. Public Digital Humanities Open Access in the Humanities Disciplines Martin Paul Eve Old Books, New Books and Digital Publishing Elena Pierazzo & Peter Stokes Digital Humanities and the Academic Books of the Future Jane Winters Digital Humanities and Digitised Cultural Heritage Melissa Terras Sharing as CARE and FAIR in the Digital Humanities Patrick Egan & Órla Murphy Digital Archives as Socially and Civically Just Public Resources Kent Gerber IV. Institutional Contexts Tool Criticism through Playful Digital Humanities Pedagogy Max Kemman The Invisible Labor of DH Pedagogy Brian Croxall & Diane Jakacki Building Digital Humanities Centres Michael Pidd Embracing Decline in Digital Scholarship beyond Sustainability Anna-Maria Sichani Libraries and the Problem of Digital Humanities Discovery Roxanne Shirazi Labour, Alienation, and the Digital Humanities Shawna Ross & Andrew Pilsch Digital Humanities at Work in the World Sarah Ruth Jacobs V. DH Futures Datawork and the Future of DH Rafael Alvarado The Place of Computation in the Study of Culture Daniel Allington The Grand Challenges of Digital Humanities Andrew Prescott Digital Humanities, Open Social Scholarship, and Engaged Publics Alyssa Arbuckle, Ray Siemens, and the INKE Partnership Digital Humanities and Cultural Economy Tully Barnett Bringing a Design Mindset (DM) to Digital Humanities (DH) Mary Galvin Reclaiming the Future with Old Media Lori Emerson The (literary) text and its futures Anne Karhio AI, Ethics, and Digital Humanities David M. Berry Digital Humanities in the Age of Extinction Graham Allen & Jenni DeBie
SynopsisThe Bloomsbury Handbook to the Digital Humanities reconsiders key debates, methods, possibilities, and failings from across the digital humanities, offering a timely interrogation of the present and future of the arts and humanities in the digital age. Comprising 43 essays from some of the field's leading scholars and practitioners, this comprehensive collection examines, among its many subjects, the emergence and ongoing development of DH, postcolonial digital humanities, feminist digital humanities, race and DH, multilingual digital humanities, media studies as DH, the failings of DH, critical digital humanities, the future of text encoding, cultural analytics, natural language processing, open access and digital publishing, digital cultural heritage, archiving and editing, sustainability, DH pedagogy, labour, artificial intelligence, the cultural economy, and the role of the digital humanities in climate change. The Bloomsbury Handbook to the Digital Humanities: Surveys key contemporary debates within DH, focusing on pressing issues of perspective, methodology, access, capacity, and sustainability. Reconsiders and reimagines the past, present, and future of the digital humanities. Features an intuitive structure which divides topics across five sections: "Perspectives & Polemics", "Methods, Tools & Techniques", "Public Digital Humanities", "Institutional Contexts", and "DH Futures". Comprehensive in scope and accessibility written, this book is essential reading for students, scholars, and practitioners working across the digital humanities and wider arts and humanities. Featuring contributions from pre-eminent scholars and radical thinkers both established and emerging, Th e Bloomsbury Handbook to the Digital Humanities should long serve as a roadmap through the myriad formulations, methodologies, opportunities, and limitations of DH. Comprehensive in its scope, pithy in style yet forensic in its scholarship, this book is essential reading for students, scholars, and practitioners working across the digital humanities, whatever DH might be, and whatever DH might become., The Bloomsbury Handbook to the Digital Humanities reconsiders key debates, methods, possibilities, and failings from across the digital humanities, offering a timely interrogation of the present and future of the arts and humanities in the digital age. Comprising 43 essays, this collection examines themes including: the emergence and ongoing development of digital humanities (DH), postcolonial digital humanities, feminist digital humanities, race and DH, multilingual digital humanities, media studies as DH, the failings of DH, critical digital humanities, the future of text encoding, cultural analytics, natural language processing, open access and digital publishing, digital cultural heritage, archiving and editing, sustainability, DH pedagogy, labour, artificial intelligence, the cultural economy, and the role of the digital humanities in climate change. This book also: Surveys key contemporary debates within DH, focusing on pressing issues of perspective, methodology, access, capacity, and sustainability; Reconsiders and reimagines the past, present, and future of the digital humanities; Features an intuitive structure which divides topics across five sections: "Perspectives & Polemics," "Methods, Tools, & Techniques," "Public Digital Humanities," "institutional Contexts," and "DH Futures"; includes contributions from pre-eminent scholars and radical thinkers both established and emerging. Comprehensive in scope and accessibly written, this book is essential reading for students, scholars, and practitioners working across the digital humanities and wider arts and humanities, and provides a roadmap through the myriad formulations, methodologies, opportunities, and limitations of DH. Wide-ranging, pithy in style yet forensic in its scholarship, this book is essential reading for students, scholars, and practitioners working across the digital humanities, whatever DH might be, and whatever DH might become.
LC Classification NumberAZ105.B5 2024
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