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INVENTING ABSTRACTION, 1910-1925 By Matthew Affron & Yve-alain Bois - Hardcover - Picture 1 of 1

Inventing Abstraction, 1910-1925 by Leah Dickerman (2013, Hardcover)

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INVENTING ABSTRACTION, 1910-1925 By Matthew Affron & Yve-alain Bois & Masha Chlenova & Hal Foster & David Joselit & Philippe-alain Michaud & Lanka Tatersall & Michael Taylor - Hardcover **BRAND NEW**.

About this product

Product Identifiers

PublisherMuseum of Modern Art

ISBN-100870708287

ISBN-139780870708282

eBay Product ID (ePID)117193610

Product Key Features

Book TitleInventing Abstraction, 1910-1925

Number of Pages376 Pages

LanguageEnglish

TopicCollections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), History / Contemporary (1945-)

Publication Year2013

IllustratorYes

GenreArt

AuthorLeah Dickerman

FormatHardcover

Dimensions

Item Height1.3 in

Item Weight87.5 Oz

Item Length12.3 in

Item Width9.8 in

Additional Product Features

Intended AudienceTrade

Dewey Edition23

ReviewsFeaturing twenty-four contributors, this MoMA catalogue explores the evolution of early modernist abstraction across various mediums, countries and movements., Three quarters of a century after Alfred Barr, founding director of New York's Museum of Modern Art, mounted the landmark 1936 exhibition Cubism and Abtract Art, MoMA curator Dickerman returns to the realm with a vast exhibition and comprehensive catalogue depicting the incipient stages of abtraction in the plastic arts. Situating the movement from a representation toward abstraction as a synchronic historical moment, as well as one of modernism's principal activities, this Eurocentric organizational feat elaborates a network based on cross talk, spontaneity, and simultaneous development. The front endpapers of the catalogue offer a graphic spread that plays off Barr's legendary chart - the cover to his exhibition's catalogue - acanonical lineage of begotten isms. Dickerman's updated diagram turns reader's view to a distributed web of networks and memes in an endeavor that highlights connectivity over paternity. Even with his intended catholic aopproach, painting and the two - dimensional flattened spatial constructs of pictorial space overwhelmingly predominate. Music is accorded a seminal role; sculpture and film are underrepresented; typographic space and artists' books are thankfully recognized. A terrific collection of diverse short essays by nearly 30 scholars complement this intelligently edited, well- illustrated, and indispensable resource., Dickerman urges against defning abstraction in terms of forward progress... less interested in the invention of abstraction than abstraction as invention. The main impact of this horizontalist approach is geographic, bringing peripheral sites into focus without denying the importance of major hubs.

Dewey Decimal709.04052

SynopsisIn 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction , published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction s early history by renowned scholars from a variety of fields., In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction , published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields.

LC Classification NumberN6490.I5 2012

Text byBois, Yve-Alain, Affron, Matthew, Foster, Hal, Chlenova, Masha