Dinosaur Art: The World's Greatest Paleoart by Steve White (Hardcover, 2012)

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Dinosaur Art: The World's Greatest Paleoart. Subtitle The World's Greatest Paleoart. It strives to illustrate not only the dinosaurs, but the art and science that bring them alive for us all.'. Red Orbit 'Magnificent, awe-inspiring, mind-blowing… words truly can't describe the level of artistic mastery showcased in this collection.

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Product Information

A paleoartist is an illustrator who specialises in the science and art of reconstructing ancient animals and their world. In Dinosaur Art, ten of the top contemporary paleoartists reveal a selection of their work and exclusively discuss their working methods and distinct styles. Filled with breathtaking artwork - some never before seen - and cutting edge paleontology, this is a treasure trove for dinosaur enthusiasts, art lovers and budding illustrators.

Product Identifiers

PublisherTitan Books LTD
ISBN-139780857685841
eBay Product ID (ePID)117398175

Product Key Features

Book TitleDinosaur Art: the World's Greatest Paleoart
AuthorSteve White
FormatHardcover
LanguageEnglish
TopicNature, Dinosaurs
Publication Year2012
Number of Pages188 Pages

Dimensions

Item Height282mm
Item Width318mm
Item Weight1503g

Additional Product Features

EditorSteve White
Country/Region of ManufactureUnited Kingdom

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  • Worth the price. Controversial but All the Better For That

    The book is beautifully illustrated and contains interesting and informative text (about the artists rather than their prehistoric subjects). It is worth owning as a benchmark survey which summarises palaeoart in the late C20th/early C21st. That is to say, it is a benchmark of palaeoart produced by male artists, mainly hailing from North America, with a few token Europeans in the mix. It fully demonstrates both the strengths and deficiencies of this cultural background and will be a valuable future reference for comparisons if/when the demographic profile of palaeoartists diversifies to include those who are neither men nor Americans. Example: I find palaeoart which presents dinosaurs as always engaged in roaring, teeth-barring, vicious combat as neither scientifically valid nor aesthetically rewarding. It tells us more about the North American culture of the artists than dinosaurs. I was both intrigued and unsurprised to find several featured artists also worked for comic book publishers, Hollywood, and video games. Yup. Figures. But twas ever thus - British Victorian prehistoric life imagined by Owen was as much a representation of Victorian Blighty as of ancient life. Part of the fascination of palaeoart for me is seeing how the past is drawn as a version of the present and vice versa. This is one reason why I expect to enjoy this book even more twenty years from now - when its ability to encapsulate a feel for turn of the century culture will be all the more useful and stand as a contrast to whatever bias has hegemony in the 2040s. While not endorsing all the art or all the (now often dated) interpretations of the evidence, I can warmly recommend this as a fascinating and enjoyable survey of a good variety of often delightful artwork.

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