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Aris and Phillips Classical Texts: Sophocles: Electra by Jennifer R. March (2001, Perfect)

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About this product

Product Identifiers

PublisherLiverpool University Press

ISBN-100856685763

ISBN-139780856685767

eBay Product ID (ePID)129215

Product Key Features

Number of Pages240 Pages

Publication NameSophocles: Electra

LanguageEnglish

SubjectEuropean / General, Ancient & Classical

Publication Year2001

TypeTextbook

Subject AreaDrama, Literary Collections

AuthorJennifer R. March

SeriesAris and Phillips Classical Texts

FormatPerfect

Dimensions

Item Height0.5 in

Item Weight12.3 Oz

Item Length8.4 in

Item Width7.1 in

Additional Product Features

Intended AudienceCollege Audience

Reviewsthis is a splendid edition, a good read for anyone interested in the play and a good text for students at any level.'

Dewey Edition21

Dewey Decimal882/.01

Table Of ContentPreface Introduction I: The myth II: The play III: This edition Bibliography Electra: Dramatis personae, text and translation Commentary Index

SynopsisKing Agamemnon is long dead and his murderers rule at Argos. His son Orestes returns from exile to kill themuhis own mother Clytemnestra and her seducer Aegisthus. Thus he will release his sister Electra from oppression and reclaim his home and kingdom. This is the only episode from Greek legend treated in surviving plays by all three of the great Athenian tragedians of the fifth century B.C.uAeschylus in his Libation-bearers (part of the Oresteia trilogy), Sophocles and Euripides each in plays called Electra. Together these plays give us a unique opportunity to compare and contrast the very different treatments by the three playwrights of a central Greek legend. In Sophocles hands the focus of the play is on Electra herself: her endurance and loyalty to the dead Agamemnon while oppressed and persecuted by Clytemnestra and Aegistus; her intense grief when she believes Orestes dead; her equally intense joy when she discovers him actually at her side; her final deliverance through his triumphant execution of vengeance on the murderers. But is there more to the play than this story of triumphant revenge and restorations? The introduction of this book includes a survey of the main interpretative issues, as well as a summary of other treatments of the myth and a discussion of the problematic question of dating. The commentary, which is based on the translation, elucidates the action., King Agamemnon is long dead and his murderers rule at Argos. His son Orestes returns from exile to kill them - his own mother Clytemnestra and her seducer Aegisthus. Thus he will release his sister Electra from oppression and reclaim his home and kingdom. This is the only episode from Greek legend treated in surviving plays by all three of the great Athenian tragedians of the fifth century B.C. - Aeschylus in his Libation-bearers (part of the Oresteia trilogy), Sophocles and Euripides each in plays called Electra. Together these plays give us a unique opportunity to compare and contrast the very different treatments by the three playwrights of a central Greek legend. In SophoclesÆ hands the focus of the play is on Electra herself: her endurance and loyalty to the dead Agamemnon while oppressed and persecuted by Clytemnestra and Aegistus; her intense grief when she believes Orestes dead; her equally intense joy when she discovers him actually at her side; her final deliverance through his triumphant execution of vengeance on the murderers. But is there more to the play than this story of triumphant revenge and restorations? The introduction of this book includes a survey of the main interpretative issues, as well as a summary of other treatments of the myth and a discussion of the problematic question of dating. The commentary, which is based on the translation, elucidates the action., King Agamemnon is long dead and his murderers rule at Argos. His son Orestes returns from exile to kill themuhis own mother Clytemnestra and her seducer Aegisthus. Thus he will release his sister Electra from oppression and reclaim his home and kingdom. This is the only episode from Greek legend treated in surviving plays by all three of the great Athenian tragedians of the fifth century B.C.uAeschylus in his Libation-bearers (part of the Oresteia trilogy), Sophocles and Euripides each in plays called Electra. Together these plays give us a unique opportunity to compare and contrast the very different treatments by the three playwrights of a central Greek legend. In SophoclesÆ hands the focus of the play is on Electra herself: her endurance and loyalty to the dead Agamemnon while oppressed and persecuted by Clytemnestra and Aegistus; her intense grief when she believes Orestes dead; her equally intense joy when she discovers him actually at her side; her final deliverance through his triumphant execution of vengeance on the murderers. But is there more to the play than this story of triumphant revenge and restorations? The introduction of this book includes a survey of the main interpretative issues, as well as a summary of other treatments of the myth and a discussion of the problematic question of dating. The commentary, which is based on the translation, elucidates the action., King Agamemnon is long dead and his murderers rule at Argos. His son Orestes returns from exile to kill them - his own mother Clytemnestra and her seducer Aegisthus. Thus he will release his sister Electra from oppression and reclaim his home and kingdom. This is the only episode from Greek legend treated in surviving plays by all three of the great Athenian tragedians of the fifth century B.C. - Aeschylus in his Libation-bearers (part of the Oresteia trilogy), Sophocles and Euripides each in plays called Electra. Together these plays give us a unique opportunity to compare and contrast the very different treatments by the three playwrights of a central Greek legend. In Sophocles hands the focus of the play is on Electra herself: her endurance and loyalty to the dead Agamemnon while oppressed and persecuted by Clytemnestra and Aegistus; her intense grief when she believes Orestes dead; her equally intense joy when she discovers him actually at her side; her final deliverance through his triumphant execution of vengeance on the murderers. But is there more to the play than this story of triumphant revenge and restorations? The introduction of this book includes a survey of the main interpretative issues, as well as a summary of other treatments of the myth and a discussion of the problematic question of dating. The commentary, which is based on the translation, elucidates the action.