NotesThe name Hemispheres reflects the wide range of musical styles and disparate indigenous influences that shape our music. While the wide-ranging music on this recording can be conveniently classified as Jazz, due to the preponderance of improvisation and Jazz-based song forms, the listener will quickly note the infusions of African, South American, Middle Eastern and Asian flavors and instruments that permeate the proceedings. The title Convergence dovetails with the group name Hemispheres to convey the myriad intersections that enable us to superimpose our Jazz sensibilities over traditional pieces from Turkey (Hijaz Oyun Havasi) and Brazil (Mistura e Manda), as well as to present the steel pan-hybrid instrument, the hang, as the cornerstone of a multi-episodic composition (Smiles for Billy) dedicated to the late, legendary drummer Billy Higgins. Ian Dogole & Hemispheres - Biographical Information · Ian Dogole For over 25 years, Ian Dogole has articulated his vision of Global Fusion Music as a multipercussionist, bandleader, composer, recording artist, producer and educator. He has released five records and a DVD as a leader - Along the Route, Dangerous Ground, Ionospheres, Night Harvest, Convergence and Ian Dogole & Hemispheres In Concert (DVD). Dogole has recorded and performed with artists such as Hamza el Din, Paul McCandless, Alex DeGrassi and Ancient Future. Dogole's compositions are available on the recordings, Dreamchaser and Asian Fusion by Ancient Future, and have been used by the San Francisco Giants, the Philadelphia Phillies, Brown University and the Indonesian Park Service. Dogole performs on a wide variety of percussion instruments, including udu, cajon, hang, talking drums, global drum set, mbiras and dumbek. He received a Jazz Performance Fellowship from the National Endowment for the Arts in 1991 and Marin Arts Council grants in 1994, 1995 and 1998 for his educational program, Adventures in Global Fusion Music. Dogole has been a frequent participant in the San Francisco Symphony's Adventures in Music program, presenting assemblies to more than 20,000 elementary school students throughout the San Francisco Public School system. He is currently a faculty member of the Sierra Jazz Society's summer Jazz Camp and is a contributing writer for JazzTimes Magazine. · Sheldon Brown Composer and woodwind multi-instrumentalist Sheldon Brown formed the Sheldon Brown Group in 1993, and in 1996 he released the jazz/fusion CD Shifting Currents. Brown has performed internationally (most recently with pianist Omar Sosa) at world-renowned venues such as the North Sea Jazz Festival, Moers Jazz Festival, Vancouver Jazz Festival, Jazz d'Or, Toronto Jazz Festival and the Spoleto Festival. He is featured on Omar Sosa's CDs Prietos, Bembon, Spirit of the Roots and Free Roots and on Ian Dogole's CDs Ionospheres and Night Harvest. Brown is a member of San Francisco's Club Foot Orchestra, for whom he has composed scores for Film Roman's cartoon series The Twisted Tales of Felix the Cat and silent films such as Fritz Lang's Metropolis, Buster Keaton's Sherlock Jr. and Cops, G. W. Pabst's Pandora's Box and Robert Wiene's Hands of Orlac. Club Foot has performed at New York's Knitting Factory, Walter Reade Theater, at Lincoln Center and the Smithsonian Institution, in Washington, D.C. Brown performed in Anthony Braxton's Composition No. 132 at Grace Cathedral as part of the 1986 San Francisco Jazz Festival. Brown currently teaches composition at Jazzschool in Berkeley, California. · Bill Douglass Bassist/flutist Bill Douglass was influenced early in his career by Rafael (Don) Garrett, who inspired him along his lifelong path of pursuing both bass and bamboo flutes. In the 1970s, Douglass joined Rubisa Patrol, led by pianist Art Lande and later joined The Flowing Stream Ensemble, a Chinese music group in which he played bamboo flutes. Douglass is noted for his flute work both in concert performances throughout the world and in soun