Country/Region of ManufactureUnited States
Tracks1.1 The Primitives - the Ostrich 1.2 The Beachnuts - Cycle Annie 1.3 The Hi-Lifes - I'm Gonna Fight 1.4 The Hi-Lifes - Soul City 1.5 Ronnie Dickerson - Oh No Don't Do It 1.6 Ronnie Dickerson - Love Can Make You Cry 1.7 The Hollywoods - Teardrop in the Sand 1.8 The Roughnecks - You're Driving Me Insane 1.9 The Primitives - Sneaky Pete 1.10 Terry Philips - Wild One 1.11 Spongy and the Dolls - Really - Really - Really - Really - Really - Really Love 1.12 The Foxes - Soul City 1.13 The J Brothers - Ya Running But I'll Getcha 1.14 Beverley Ann - We Got Trouble 1.15 The All Night Workers - Why Don't You Smile 1.16 Jeannie Larimore - Johnny Won't Surf No More 1.17 Robertha Williams - Tell Mamma Not to Cry 1.18 Robertha Williams - Maybe Tomorrow 1.19 Terry Philips - Flowers for the Lady 1.20 Terry Philips - This Rose 1.21 The Surfsiders - Surfin' 1.22 The Surfsiders - Little Deuce Coupe 1.23 The Beachnuts - Sad Lonely Orphan Boy 1.24 The Beachnuts - I've Got a Tiger in My Tank 1.25 Ronnie Dickerson - What About Me
NotesLight in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA's critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed's Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022). One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972's Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records-a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed's output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry. The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on "Oxblood" wax (A/B side) and "Gold" wax (C/D side). This release marks the first official anthology of Lou Reed's work for Pickwick Records and features rarities, cult classics (The Primitives' "The Ostrich"), & previously unreleased material (The Beachnuts' "Sad, Lonely Orphan Boy").