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Art Référence Collection: Neo-Impressionist Painters : A Sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Theo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet by Annick Houze and Russell T. Clement (1999, Hardcover)
The Book Bouquet (1101)
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About this product
Product Identifiers
PublisherBloomsbury Publishing
ISBN-100313303827
ISBN-139780313303821
eBay Product ID (ePID)1648659
Product Key Features
Number of Pages416 Pages
Publication NameNeo-Impressionist Painters : A Sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Theo Van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet
LanguageEnglish
SubjectRéférence, Popular Culture, General, European
Publication Year1999
TypeTextbook
AuthorAnnick Houze, Russell T. Clement
Subject AreaArt, Social Science
SeriesArt Référence Collection
FormatHardcover
Dimensions
Item Height0.9 in
Item Weight26.8 Oz
Item Length9.2 in
Item Width6.1 in
Additional Product Features
Intended AudienceCollege Audience
LCCN99-036377
Dewey Edition21
Number of Volumes1 vol.
Dewey Decimal759.05/5
Table Of ContentPreface Acknowledgments Introduction Neo-Impressionism Chronology, 1881-1905 Common Abbreviations Neo-Impressionism in General Georges Pierre Seurat Camille Pissarro Paul Signac Théo Van Rysselberghe Henri Edmond Cross Charles Angrand Maximilien Luce Albert Dubois-Pillet Art Works Index Personal Names Index
SynopsisThis reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
LC Classification NumberND547
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