About this product

Product Identifiers

PublisherUniversity of Massachusetts Press

ISBN-101558492747

ISBN-139781558492745

eBay Product ID (ePID)1733618

Product Key Features

Number of Pages192 Pages

LanguageEnglish

Publication NameLiterary Wit

SubjectGeneral, American / General, Humor, European / English, Irish, Scottish, Welsh

Publication Year2001

TypeTextbook

Subject AreaLiterary Criticism, Philosophy, Humor

AuthorBruce Michelson

FormatTrade Paperback

Dimensions

Item Height0.6 in

Item Weight11.2 Oz

Item Length9.2 in

Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN00-055179

Reviews"This is a work of vast reading and considered judgment. Some of the notes are really exquisite little essays--provocative and intelligent in and of themselves. . . . As for the literary analysis, which constitutes the major portion of the book, it is lucid, acute, and compelling."--Tom Quirk, author of Coming to Grips with Huckleberry Finn and Mark Twain: A Study of the Short Fiction. "A great read--clever, engaging, and extremely valuable to my own thinking about wit and humor as critical tools for understanding major writers."--David E. Sloane, editor of American Humor: New Studies, New Directions "In our historical moment flush with Seinfeldian irony, wit seems a perfect antidote to resigned cynicism or sclerotic habits of thought. Michelson (English, Univ. of Illinois), the author of books on Mark Twain and Richard Wilbur, hopes to give a boost to wit as a way of seeing things newly. He proposes to mothball the theories of humor and laughter developed by Freud, Bergson, and Bakhtin to cast wit as the "life-saving affirmation of the certainty that we know nothing for certain." Once Michelson has unmoored wit from its allegedly stodgy explications, however, he yields to naively premodernist assertions that wit "can keep us spiritually alive." When he reduces Wilde's, Twain's, and Stoppard's wit to such vague and starry-eyed jingles, however, he overlooks the capacity of wit to pierce precisely the empty celebration of human potential with which Michelson concludes his book."-- Library Journal, In our historical moment flush with Seinfeldian irony, wit seems a perfect antidote to resigned cynicism or sclerotic habits of thought. Michelson (English, Univ. of Illinois), the author of books on Mark Twain and Richard Wilbur, hopes to give a boost to wit as a way of seeing things newly. He proposes to mothball the theories of humor and laughter developed by Freud, Bergson, and Bakhtin to cast wit as the "life-saving affirmation of the certainty that we know nothing for certain." Once Michelson has unmoored wit from its allegedly stodgy explications, however, he yields to naively premodernist assertions that wit "can keep us spiritually alive." When he reduces Wilde's, Twain's, and Stoppard's wit to such vague and starry-eyed jingles, however, he overlooks the capacity of wit to pierce precisely the empty celebration of human potential with which Michelson concludes his book., "This is a work of vast reading and considered judgment. Some of the notes are really exquisite little essays--provocative and intelligent in and of themselves. . . . As for the literary analysis, which constitutes the major portion of the book, it is lucid, acute, and compelling."--Tom Quirk, author of Coming to Grips with Huckleberry Finnand Mark Twain: A Study of the Short Fiction."A great read--clever, engaging, and extremely valuable to my own thinking about wit and humor as critical tools for understanding major writers."--David E. Sloane, editor of American Humor:New Studies, New Directions"In our historical moment flush with Seinfeldian irony, wit seems a perfect antidote to resigned cynicism or sclerotic habits of thought. Michelson (English, Univ. of Illinois), the author of books on Mark Twain and Richard Wilbur, hopes to give a boost to wit as a way of seeing things newly. He proposes to mothball the theories of humor and laughter developed by Freud, Bergson, and Bakhtin to cast wit as the "life-saving affirmation of the certainty that we know nothing for certain." Once Michelson has unmoored wit from its allegedly stodgy explications, however, he yields to naively premodernist assertions that wit "can keep us spiritually alive." When he reduces Wilde's, Twain's, and Stoppard's wit to such vague and starry-eyed jingles, however, he overlooks the capacity of wit to pierce precisely the empty celebration of human potential with which Michelson concludes his book."--Library Journal, "This is a work of vast reading and considered judgment. Some of the notes are really exquisite little essays--provocative and intelligent in and of themselves. . . . As for the literary analysis, which constitutes the major portion of the book, it is lucid, acute, and compelling."--Tom Quirk, author of Coming to Grips with Huckleberry Finn and Mark Twain: A Study of the Short Fiction. "A great read--clever, engaging, and extremely valuable to my own thinking about wit and humor as critical tools for understanding major writers."--David E. Sloane, editor of American Humor: New Studies, New Directions "In our historical moment flush with Seinfeldian irony, wit seems a perfect antidote to resigned cynicism or sclerotic habits of thought. Michelson (English, Univ. of Illinois), the author of books on Mark Twain and Richard Wilbur, hopes to give a boost to wit as a way of seeing things newly. He proposes to mothball the theories of humor and laughter developed by Freud, Bergson, and Bakhtin to cast wit as the "life-saving affirmation of the certainty that we know nothing for certain." Once Michelson has unmoored wit from its allegedly stodgy explications, however, he yields to naively premodernist assertions that wit "can keep us spiritually alive." When he reduces Wilde's, Twain's, and Stoppard's wit to such vague and starry-eyed jingles, however, he overlooks the capacity of wit to pierce precisely the empty celebration of human potential with which Michelson concludes his book."--Library Journal, This is a work of vast reading and considered judgment. Some of the notes are really exquisite little essays -- provocative and intelligent in and of themselves.... As for the literary analysis, which constitutes the major portion of the book, it is lucid, acute, and compelling., A great read -- clever, engaging, and extremely valuable to my own thinking about wit and humor as critical tools for understanding major writers.

Dewey Edition21

Grade FromCollege Graduate Student

IllustratedYes

Dewey Decimal817.009

SynopsisWritten with verve and clarity, this book offers a fresh examination of literary wit as a distinct variety of discourse -- one that is fundamentally different from wit, humor, and laughter in nonliterary contexts. Bruce Michelson moves beyond outmoded assumptions and canonical authorities to explore how wit can transform fiction, plays, and poetry, providing "a fire that keeps our imaginative literature hot."Michelson argues that to achieve a modernized and less-reductive understanding of the comic mode, conventional ideas must be extended, refreshed, qualified, and ultimately left behind. Revisiting Bergson, Freud, Bakhtin, and other authorities, he develops a new description of literary wit, with an emphasis on brevity, eloquence, and surprise, and gives special attention to the power and provenance of the modern epigram. To develop this new approach, Michelson explores Mark Twain's Pudd'nhead Wilson's Calendar and Oscar Wilde's "Preface" to The Picture of Dorian Gray. He also offers the first extended discussion of two celebrated recent dramas -- Tom Stoppard's Arcadia and Margaret Edson's Pulitzer-winning Wit -- as well as insightful readings of major poems by Richard Wilbur. He concludes with a suggestive look at the contemporary revolution in cognitive science and its implications for our understanding of the comic dimension in modern literature., Written with verve and clarity, this book offers a fresh examination of literary wit as a distinct variety of discourse?one that is fundamentally different from wit, humor, and laughter in nonliterary contexts. Bruce Michelson moves beyond outmoded assumptions and canonical authorities to explore how wit can transform fiction, plays, and poetry, providing "a fire that keeps our imaginative literature hot."Michelson argues that to achieve a modernized and less-reductive understanding of the comic mode, conventional ideas must be extended, refreshed, qualified, and ultimately left behind. Revisiting Bergson, Freud, Bakhtin, and other authorities, he develops a new description of literary wit, with an emphasis on brevity, eloquence, and surprise, and gives special attention to the power and provenance of the modern epigram. To develop this new approach, Michelson explores Mark Twain's Pudd'nhead Wilson's Calendar and Oscar Wilde's "Preface" to The Picture of Dorian Gray. He also offers the first extended discussion of two celebrated recent dramas?Tom Stoppard's Arcadia and Margaret Edson's Pulitzer-winning Wit ?as well as insightful readings of major poems by Richard Wilbur. He concludes with a suggestive look at the contemporary revolution in cognitive science and its implications for our understanding of the comic dimension in modern literature., This book offers a fresh examination of literary wit as a distinct variety of discourse - fundamentally different from wit, humour and laughter in nonliterary contexts. The author explores how wit can transform fiction, plays and poetry, providing ""a fire that keeps our imaginative literature hot""., Written with verve and clarity, this book offers a fresh examination of literary wit as a distinct variety of discourse--one that is fundamentally different from wit, humor, and laughter in nonliterary contexts. Bruce Michelson moves beyond outmoded assumptions and canonical authorities to explore how wit can transform fiction, plays, and poetry, providing "a fire that keeps our imaginative literature hot."Michelson argues that to achieve a modernized and less-reductive understanding of the comic mode, conventional ideas must be extended, refreshed, qualified, and ultimately left behind. Revisiting Bergson, Freud, Bakhtin, and other authorities, he develops a new description of literary wit, with an emphasis on brevity, eloquence, and surprise, and gives special attention to the power and provenance of the modern epigram. To develop this new approach, Michelson explores Mark Twain's Pudd'nhead Wilson's Calendar and Oscar Wilde's "Preface" to The Picture of Dorian Gray. He also offers the first extended discussion of two celebrated recent dramas--Tom Stoppard's Arcadia and Margaret Edson's Pulitzer-winning Wit --as well as insightful readings of major poems by Richard Wilbur. He concludes with a suggestive look at the contemporary revolution in cognitive science and its implications for our understanding of the comic dimension in modern literature.

LC Classification NumberPS430.M48 2000