Research in Creative Writing Ser.: Craft Consciousness and Artistic Practice in Creative Writing by Ben Ristow (2022, Hardcover)

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About this product

Product Identifiers

PublisherBloomsbury Publishing
ISBN-101350120685
ISBN-139781350120686
eBay Product ID (ePID)18038625579

Product Key Features

Number of Pages232 Pages
LanguageEnglish
Publication NameCraft Consciousness and Artistic Practice in Creative Writing
SubjectComposition & Creative Writing
Publication Year2022
TypeTextbook
Subject AreaLanguage Arts & Disciplines
AuthorBen Ristow
SeriesResearch in Creative Writing Ser.
FormatHardcover

Dimensions

Item Height0.6 in
Item Weight17.8 Oz
Item Length9.2 in
Item Width6.1 in

Additional Product Features

Intended AudienceCollege Audience
LCCN2021-041075
Dewey Edition23
Dewey Decimal808
Table Of ContentIntroduction Chapter One: "What is the Good?": In Search of the Virtue of Craft in Creative Writing Chapter Two: Beyond Romanticist Philosophies of Technê: Principles of Craft Consciousness Chapter Three: Made for Disruption: Qualitative Research into the Practices of Artist-Teachers Chapter Four: Benchwork, Workshop Culture, and Craft Consciousness in Teaching Spaces Epilogue: Craft Futures Bibliography Index
SynopsisCraft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term "craft consciousness" identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word. For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists.
LC Classification NumberPN187.R48 2022
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