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The selections presented here date from the late-'50s to the late-'60s, and find Wilson at the very height of her vocal prowess. There are a handful of other small combo dates (including one with George Shearing) interspersed with more orchestral settings, but even in the largest ensembles Wilson's subtlety and sense of intimacy never waver (the string-sweetened "Don't Go To Strangers" is a case in point).