Dewey Edition23
Reviews'handsome new editions . . . . eminently readable, with good clear typefaces and text unencumbered by note numbers'John Banville, Irish Times 10/02/01, "In this volume, Klehr (Emory University) has put together a who's who of the radical left in the US." -C. P. Chelf, Choice
SynopsisJoyce's aim was to tell the truth--to create a work of art that would reflect life in Ireland at the turn of the last century and, by rejecting euphemism, reveal to the Irish the unromantic reality of their existence, the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners--a death, an encounter, an opportunity not taken, a memory rekindled--and collectively they paint a portrait of a nation. This edition is introduced and annotated by Jeri Johnson, who gives a witty and informative insight into the context, meanings, and reception of Joyce's work., The publication of James Joyce's Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else. Although only twenty-four when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would "retard the course of civilization in Ireland." Joyce's aim was to tell the truth-- to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, to reveal to the Irish their unromantic reality, which would lead to the spiritual liberation of the country. Each of the fifteen stories offers glimpses into the lives of ordinary Dubliners-- a death, an encounter, an opportunity not taken, a memory rekindled - and collectively they paint a portrait of a nation. This edition is introduced and annotated by Jeri Johnson, who gives a witty and informative insight into the context, meanings, and reception of Joyce's work., 'I regret to see that my book has turned out un fiasco solenne'James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would 'retard the course of civilisation in Ireland'.Joyce's aim was to tell the truth - to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a death, an encounter, an opportunity not taken, a memory rekindled - and collectively they paint a portrait of a nation.
LC Classification NumberPR6019.O9D8 2000