Mcgill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Ser.: Visibly Canadian : Imaging Collective Identities in the Canadas, 1820-1910 by Karen Stanworth (2015, Hardcover)
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VISIBLY CANADIAN: IMAGING COLLECTIVE IDENTITIES IN THE CANADAS, 1820-1910 (VOLUME 15) (MCGILL-QUEEN'S/BEAVERBROOK CANADIAN FOUNDATION STUDIES IN ART HISTORY) By Karen Stanworth - Hardcover *Excellent Condition*.
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About this product
Product Identifiers
PublisherMcGill-Queen's University Press
ISBN-100773544585
ISBN-139780773544581
eBay Product ID (ePID)201602479
Product Key Features
Number of Pages476 Pages
Publication NameVisibly Canadian : Imaging Collective Identities in the Canadas, 1820-1910
LanguageEnglish
Publication Year2015
SubjectCanada / General, Canadian, Social History, Popular Culture, Social Psychology, Customs & Traditions, History / General
TypeTextbook
AuthorKaren Stanworth
Subject AreaArt, Social Science, Psychology, History
SeriesMcgill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Ser.
FormatHardcover
Dimensions
Item Height0.6 in
Item Weight23.5 Oz
Item Length9.8 in
Item Width5.9 in
Additional Product Features
Intended AudienceCollege Audience
ReviewsIn Visibly Canadian Stanworth makes a powerful argument for why visual culture matters, and how historians can enrich our understanding of the past by paying attention to images of all kinds." Gillian Poulter, Department of History and Classics, Acadia University, "In Visibly Canadian Stanworth makes a powerful argument for why visual culture matters, and how historians can enrich our understanding of the past by paying attention to images of all kinds." Gillian Poulter, Department of History and Classics, Acadia University
Dewey Edition23
Series Volume Number15
IllustratedYes
Dewey Decimal701/.030971309034
SynopsisA ground-breaking study revealing how culture shaped citizenship and belonging in nineteenth-century Ontario and Quebec., Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in the visual culture of the time. Through nine case studies, each representing key moments of identity formation and contestation, Stanworth investigates how a broad range of cultural phenomena, from fine arts to institutional histories to public spectacles, were used to order, resist, and articulate identities within specific social and economic contexts. The negotiation and planning underpinning civic culture are evident in rare moments of compromise such as the surprising proposal from the Saint-Jean-Baptiste Society to merge their annual parade with the celebration of Queen Victoria's Diamond Jubilee in 1897. Equally astounding is the scale of nineteenth-century public spectacles; reenactments of Victorian scenes of war often attracted crowds of upwards of 10,000 people. Illustrated with over fifty images, many unseen for over a century, Visibly Canadian establishes the extraordinary significance of artwork and public spectacles in cutting across language, religion, and class to tell stories of nationhood, belonging, and difference.