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About this product
Product Identifiers
PublisherBloomsbury Publishing
ISBN-101844577783
ISBN-139781844577781
eBay Product ID (ePID)202525280
Product Key Features
Book TitleDr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb
Number of Pages116 Pages
LanguageEnglish
TopicFilm / General, Film / History & Criticism
Publication Year2014
IllustratorYes
GenrePerforming Arts
AuthorPeter Krämer
Book SeriesBfi Film Classics Ser.
FormatTrade Paperback
Dimensions
Item Height0.4 in
Item Weight6.7 Oz
Item Length7.4 in
Item Width5.3 in
Additional Product Features
Intended AudienceTrade
LCCN2014-028174
Dewey Edition23
ReviewsKramer was privileged to have been given access to Kubrick's private papers, and so is able to say for certain what was in the director's mind as well as chronicluing the troubled history of its production with some authority. He also offers a comprehensive scene-by-scene analysis, including details of proposed alternatives which were never filmed or which didn't make the final cut, making this an essential book for the serious film student., "Kramer was privileged to have been given access to Kubrick's private papers, and so is able to say for certain what was in the director's mind as well as chronicling the troubled history of its production with some authority. He also offers a comprehensive scene-by-scene analysis, including details of proposed alternatives which were never filmed or which didn't make the final cut, making this an essential book for the serious film student." --Good Book Guide, Kramer was privileged to have been given access to Kubrick's private papers, and so is able to say for certain what was in the director's mind as well as chronicling the troubled history of its production with some authority. He also offers a comprehensive scene-by-scene analysis, including details of proposed alternatives which were never filmed or which didn't make the final cut, making this an essential book for the serious film student., 'Kramer was privileged to have been given access to Kubrick's private papers, and so is able to say for certain what was in the director's mind as well as chronicluing the troubled history of its production with some authority. He also offers a comprehensive scene-by-scene analysis, including details of proposed alternatives which were never filmed or which didn't make the final cut, making this an essential book for the serious film student.' - Good Book Guide
SynopsisStanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) has long been recognised as one of the key artistic expressions of the nuclear age. Made at a time when nuclear war between the United States and the Soviet Union was a real possibility, the film is menacing, exhilarating, thrilling, insightful and very funny. Combining a scene-by-scene analysis of Dr. Strangelove with new research in the Stanley Kubrick Archive, Peter Kr mer's study foregrounds the connections the film establishes between the Cold War and World War II, and between sixties America and Nazi Germany. How did the film come to be named after a character who only appears in it very briefly? Why does he turn out to be a Nazi? And how are his ideas for post-apocalyptic survival in mineshafts connected to the sexual fantasies of the military men who destroy life on the surface of the Earth? This special edition features original cover artwork by Marian Bantjes., Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) has long been recognised as one of the key artistic expressions of the nuclear age. Made at a time when nuclear war between the United States and the Soviet Union was a real possibility, the film is menacing, exhilarating, thrilling, insightful and very funny. Combining a scene-by-scene analysis of Dr. Strangelove with new research in the Stanley Kubrick Archive, Peter Krämer's study foregrounds the connections the film establishes between the Cold War and World War II, and between sixties America and Nazi Germany. How did the film come to be named after a character who only appears in it very briefly? Why does he turn out to be a Nazi? And how are his ideas for post-apocalyptic survival in mineshafts connected to the sexual fantasies of the military men who destroy life on the surface of the Earth? This special edition features original cover artwork by Marian Bantjes., Stanley Kubrick's Dr. Strangelove, or: How I learned to Stop Worrying and Love the Bomb (1964) is the definitive film about the nuclear age. Peter Kramer analyses its key scenes and complex production history, highlighting major themes such as Strangelove's Nazi past and the film's close relationship with real-world nuclear strategy and politics.