Table Of ContentTable of Contents Acknowledgments Preface 1. In the Beginning 2. A Career Is Launched delete delete Summer and Smoke 3. Poof, She's a Star delete delete One, Two, Three 4. It's a Grand Night for Singing ... Well, Maybe delete delete State Fair 5. Soaring Into the Wild Blue Yonder delete delete Come Fly with Me 6. No, Films Is Where She'd Rather Stay delete delete The Fugitive (TV), Three on an Island (TV pilot) 7. For Those Who Think Pamela delete delete For Those Who Think Young 8. Start Your Engines delete delete The Lively Set 9. It's a ÂStarlet-Eat-Starlet World delete delete The Pleasure Seekers 10. Where's Pamela? delete delete The Hallelujah Trail 11. Jiggling the Diving Board delete delete Harper 12. Blondes Do Have More delete delete Oggi, domani, dopodomani Delitto quasi perfecto (The Almost Perfect Murder) 13. Broadway Baby delete delete Dinner at Eight (stage play) 14. Marcello Mastroianni: Take delete delete Kiss the Other Sheik 15. Arrivederci, Hollywood! 16. Pamela, Italian Style delete delete I Protagonisti (The Protagonists); Straziami, ma di baci saziami (Kill Me with Kisses); L'Archangelo (The Archangel) 17. In This Corner ... Lana Turner delete delete The Survivors (TV) 18. Back in the U.S.A. delete delete Viva Max; Uncle Vanya (stage play) 19. The Godfather It Ain't delete delete Cosi di Cosa Nostra (The Godson) 20. Pamela Bares Some Skin delete delete Il vichingo venuto dal Sud (The Blonde in the Blue Movie) 21. Giallo Time delete delete Giornata nera per l'Ariete (The Fifth Cord) 22. Tiffin Makes Three delete delete Los Amigos (Deaf Smith & Johnny Ears) 23. Questo è tutto gente! delete delete E se per caso una mattina...; Amore mio, uccidimi! (Kill Me, My Love!); La signora è stata violentata! (The Lady Has Been Raped); Brigitte, Laura, Ursula, Monica, Raquel, Litz, Florinda, Barbara, Claudia, e Sofia le chiamo tutte ... anima mia 24. Life After Moviemaking Credits Pamela Tiffin as Herself Chapter Notes Bibliography Index
SynopsisDark-haired 60s cult pop icon Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne opposite James Cagney in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage drive-in movies in State Fair (1963), Come Fly with Me (1963), For Those Who Think Young (1964), The Lively Set (1964) and The Pleasure Seekers (1964). After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her ""remarkable flair for comedy,"" and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films., Dark-haired siren Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage camp in Come Fly with Me (1963), For Those Who Think Young (1964) and The Pleasure Seekers (1964). This thoroughly researched career retrospective pays tribute to Tiffin, adored by critics and hailed by James Cagney for her "remarkable flair for comedy"., Dark-haired 60s cult pop icon Pamela Tiffin debuted in Summer and Smoke (1961) and was a scene-stealing comedienne opposite James Cagney in Billy Wilder's One, Two, Three (1961) before becoming the queen of teenage drive-in movies in State Fair (1963), Come Fly with Me (1963), For Those Who Think Young (1964), The Lively Set (1964) and The Pleasure Seekers (1964). After landing a sexy adult role opposite Paul Newman in Harper (1966), she went blonde and ran away to Italy to star in such films as Kiss the Other Sheik (1968), The Fifth Cord (1971) and Deaf Smith & Johnny Ears (1973). This thoroughly researched career retrospective pays tribute to the talented Tiffin, hailed by Cagney for her "remarkable flair for comedy," and addresses why she did not achieve superstardom. Interviews with co-stars, including Franco Nero, and film historians offer a behind-the-scenes look at her most popular films.