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Music in Britain, 1600-2000 Ser.: George Smart and Nineteenth-Century London Concert Life by John Carnelley (2015, Hardcover)

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Sir George Thomas Smart (1) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events.

About this product

Product Identifiers

PublisherBoydell & Brewer, The Limited

ISBN-101783270640

ISBN-139781783270644

eBay Product ID (ePID)211222961

Product Key Features

Number of Pages343 Pages

LanguageEnglish

Publication NameGeorge Smart and Nineteenth-Century London Concert Life

Publication Year2015

SubjectHistory & Criticism, Genres & Styles / Classical, General, Europe / Great Britain / General

TypeTextbook

AuthorJohn Carnelley

Subject AreaMusic, History

SeriesMusic in Britain, 1600-2000 Ser.

FormatHardcover

Dimensions

Item Height1 in

Item Weight23.4 Oz

Item Length9.6 in

Item Width6.4 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN2015-667173

Dewey Edition23

ReviewsThis book has been written with warmth and enthusiasm underpinned by exhaustive research. Setting out as a record of the everyday working life of an individual professional musician, it is ultimately and important biography of an exceptional man. NINETEENTH-CENTURY MUSIC REVIEW Certainly deserves a place on the shelves of every respectable music library. BRIO Sympathetic and intensively researched volume will do much to restore [Sir George Smart's] reputation. THE MUSICAL TIMES [A] very rich trove here: the book is an invaluable source of reference for this period and for contemporary research on it. MUSIC & LETTERS A fascinating glimpse into a little known but immensely influential era of British musical life. AMERICAN RECORD GUIDE Conductor Sir George Smart dominated musical life in London in the 1820s and 1830s. In this biography, Carnelley . . . details Smart's life and his role in the London concert scene. Though events such as Weber's and Mendelssohn's London visits have been previously documented, Carnelley is the first to place those special occasions in the context of routine musical life . . . and Smart's attempts to broaden musical tastes . . . . Summing Up: Recommended. CHOICE

Series Volume Number12

Volume Number12

IllustratedYes

Dewey Decimal780.92 B

Table Of ContentPrefaceGeorge Smart and the Musical Profession: 1776-1825London Concert Life 1800-25George Smart's Concert Activities 1800-25Interlude - London and the Continent in 1825New Musical Directions 1826-30Change and Conflict 1830-44Retirement and Old Age 1844-1867AppendicesBibliography

SynopsisThe first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure.JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive., The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure. JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive., The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven, Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure. JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive.

LC Classification NumberML422