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French Studies of the Eighteenth and Nineteenth Centuries Ser.: Paris Fine Art Salon/le Salon, 1791-1881 by James Kearns (2015, Trade Paperback)
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THE PARIS FINE ART SALON/LE SALON, 17911881 (FRENCH STUDIES OF THE EIGHTEENTH AND NINETEENTH CENTURIES) (ENGLISH AND FRENCH EDITION) By James Kearns & Alister Mill *Excellent Condition*.
- Buy it nowTHE PARIS FINE ART SALON/LE SALON, 17911881 (FRENCH By James Kearns & Alister
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About this product
Product Identifiers
PublisherLang A&G International Academic Publishers, Peter
ISBN-103034317786
ISBN-139783034317788
eBay Product ID (ePID)215327749
Product Key Features
Number of Pages518 Pages
LanguageEng,Fre
Publication NameParis Fine Art Salon/Le Salon, 1791-1881
Publication Year2015
SubjectEuropean / French, Criticism & Theory, General
FeaturesNew Edition
TypeTextbook
Subject AreaLiterary Criticism, Art, History
AuthorJames Kearns
SeriesFrench Studies of the Eighteenth and Nineteenth Centuries Ser.
FormatTrade Paperback
Dimensions
Item Weight26.1 Oz
Item Length8.9 in
Item Width5.9 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2015-936494
TitleLeadingThe
Dewey Edition23
ReviewsColloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship. (Robert Lethbridge, Journal of European Studies 45(4) 2015), «Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.» (Robert Lethbridge, Journal of European Studies 45(4) 2015)
Series Volume Number33
Number of Volumes0 vols.
IllustratedYes
Dewey Decimal701.18094409034
Edition DescriptionNew Edition
Table Of ContentContents: Richard Wrigley: Au seuil du Salon - Sarah Bakkali: Le Salon et le marché de l'art moderne à Paris (1791-1799) - Susan L. Siegfried: Salon and Early Republican Experiments in State Patronage - Daniel Harkett: Delphine Gay and the Paris Salon - Eva Bouillo: Le Salon des Refusés ne date pas de 1863! Les enjeux d'un face à face entre le Salon de l'opposition et le Salon officiel en 1827 - James Kearns: Legislating for the Salon, 1830-1833 - Alister Mill: Artists at the Salon during the July Monarchy - Harriet Griffiths: The Academy and the Salon Jury, 1831-1848 - Aurélie Gavoille: Étienne-Jean Delécluze (1781-1863), un observateur privilégié du Salon au XIXesiècle - Christophe Longbois-Canil: Les Salons de 1843 et de 1844, miroirs d'une époque - Vera Klewitz: Between Capitals and Provinces: The French Painter Sophie Rude (1797-1867) - Arnaud Bertinet: La question du Salon au Louvre 1850-1853 - Laurent Cazes: Usages et enjeux de l'exposition au Salon pour les peintres étrangers, 1852-1881 - Elena Granuzzo: The Paris Salons 1791-1881: Controversies and Debates in the North of Italy in the Late Eighteenth and Nineteenth Centuries - Jana Wijnsouw: Sculpting a National Career Abroad: Belgian Sculptors at the Paris Salon - Isabel Valverde: L'influence des Salons au-delà des frontières nationales : le cas des Exposiciones Nacionales de Bellas Artes - Jon Whiteley: Literature and Painting at the Paris Salon, 1699-1881 - Diana Seave Greenwald: The Demand for Peasants: A Statistical Analysis of Rural Imagery at the Paris Salon - Alison Mcqueen: Shifting Institutional Practices during the Second Empire: The Salon Lottery of 1859 - Debra J. Dewitte: The Exhibition of Drawings, Pastels and Watercolours in the French Salon: 1863-1881 - Alain Bonnet: Le Prix du Salon - Fae Brauer: «Turquet's Turkey»: Ending the Salon - Pierre Vaisse: Exposer hors du Salon.
SynopsisFollowing on from « Ce Salon à quoi tout se ramène » : Le Salon de peinture et de sculpture, 1791-1890 , published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852 , funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world., Following on from Ce Salon quoi tout se ram ne : Le Salon de peinture et de sculpture, 1791-1890 , published in 2010 as an earlier volume in this series, this volume contains a selection of the papers given at the first major international conference to be held on the post-1789 Paris Fine Art Salon. Hosted by the University of Exeter in September 2013, the conference had its origins in the research project entitled Painting for the Salon? The French State, Artists and Academy, 1830-1852 , funded in 2010-2012 by the UK's Arts and Humanities Research Council, and its purpose was to situate findings of this research within the wider framework of the Salon's nineteenth-century history. In this collection of twenty-three papers, fourteen in English, nine in French, established and new scholars of French art history examine the national and international artistic, political and cultural dimensions of the most important regular exhibition of contemporary art in the nineteenth-century world., This volume contains papers from the first major conference on the post-1789 Paris Fine Art Salon (University of Exeter, September 2013), originating from research project Painting for the Salon? The French State, Artists and Academy, 1830-1852. It examines the national and international artistic, political and cultural dimensions of the Salon.
LC Classification NumberN6850.P3846 2013
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