About this product

Product Identifiers

PublisherTalonbooks, The Limited

ISBN-100889223912

ISBN-139780889223912

eBay Product ID (ePID)2161317

Product Key Features

Book TitleCitizen Suarez

Number of Pages160 Pages

LanguageEnglish

Publication Year1998

TopicShort Stories (Single Author), Literary

GenreFiction

AuthorGuillermo Verdecchia

FormatTrade Paperback

Dimensions

Item Height0.5 in

Item Weight7.6 Oz

Item Length9 in

Item Width6 in

Additional Product Features

Intended AudienceTrade

SynopsisGuillermo Verdecchia is primarily known for his award-winning plays; Citizen Suárez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people travelling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Márquez., Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suarez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people traveling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Marquez., Short stories about people lost between countries and languages--caught between the impulse to flee and the desire to belong., Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suárez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people traveling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Márquez.