James Ensor: Christ's Entry into Brussels In 1889 by Patricia G. Berman (2002, Trade Paperback)
worldofbooksinc (236502)
97.7% positive Feedback
Price:
US $17.99
Approximately£13.39
+ $13.83 postage
Estimated by Mon, 25 Aug - Tue, 2 SepEstimated delivery Mon, 25 Aug - Tue, 2 Sep
Returns:
30 days return. Buyer pays for return postage. If you use an eBay delivery label, it will be deducted from your refund amount.
Condition:
GoodGood
Author:Berman. All of our paper waste is recycled within the UK and turned into corrugated cardboard. World of Books USA was founded in 2005. We all like the idea of saving a bit of cash, so when we found out how many good quality used products are out there - we just had to let you know!
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
About this product
Product Identifiers
PublisherOxford University Press, Incorporated
ISBN-100892366419
ISBN-139780892366415
eBay Product ID (ePID)2188345
Product Key Features
Book TitleJames Ensor: Christ's Entry Into Brussels in 1889
Number of Pages144 Pages
LanguageEnglish
TopicIndividual Artists / General, Collections, Catalogs, Exhibitions / General, General, Subjects & Themes / Religious, European
Publication Year2002
IllustratorYes
GenreArt, Literary Collections
AuthorPatricia G. Berman
FormatTrade Paperback
Dimensions
Item Height0.2 in
Item Weight15.1 Oz
Item Length8 in
Item Width10.9 in
Additional Product Features
Intended AudienceTrade
LCCN2002-002782
Dewey Edition21
Dewey Decimal759.9493
SynopsisThe brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political fomentation in his native Belgium. It is one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, rivaling any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the startling canvas presents a scene filled with clowns, masked figures, and--barely visible amid the swirling crowds--the tiny figure of Christ on a donkey entering the city of Brussels. This insightful volume examines the painting in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings.